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Ambient music

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.[5] It uses textural layers of sound that can reward both passive and active listening[6] and encourage a sense of calm or contemplation.[7][8] The genre is said to evoke an "atmospheric", "visual",[9] or "unobtrusive" quality.[10] Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.[11]

The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer.[12] It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, Jamaican dub reggae and German electronic music, but was prominently named and popularized by British musician Brian Eno in 1978 with his album Ambient 1: Music for Airports; Eno opined that ambient music "must be as ignorable as it is interesting".[13] It saw a revival towards the late 1980s with the prominence of house and techno music, growing a cult following by the 1990s.[14] Ambient music may have elements of new-age music and drone music, as some works may use sustained or repeated notes.[15]


Ambient music did not achieve large commercial success, being criticized as everything from "dolled-up new age, [..] to boring and irrelevant technical noodling".[16] Nevertheless, it has attained a certain degree of acclaim throughout the years, especially in the Internet age. Due to its relatively open style, ambient music often takes influences from many other genres, ranging from classic, avant-garde music, experimental music, folk, jazz, and world music, amongst others.[17][18]

Film soundtracks[edit]

Examples of films with soundtracks that feature some, or extensive, usage of ambient music include, Forbidden Planet (1956), THX 1138 (1971),[97] Solaris (1972),[98] Blade Runner (1982),[98] The Thing (1982),[97] Dune (1984),[98], Heathers (1988),[98] Akira (1988),[98] Ghost in the Shell (1995),[97] Titanic (1997),[99] Traffic (2000), Donnie Darko (2001), Solaris (2002), The Passion of the Christ (2004),[100] Pride & Prejudice (2005),[98] Moon (2009),[97] The Social Network (2010),[98] Cosmopolis (2012),[97] Her (2013), Enemy (2013), Drive (2011),[101] Interstellar (2014), Gone Girl (2014),[98] The Revenant (2015), Columbus (2017), Mandy (2018),[102] Annihilation (2018), Ad Astra (2019), Chernobyl (2019)[103] and Dune (2021),[104] among many others.

plays ambient, chillout and downtempo electronica.

Sirius XM Chill

blends ambient and new age instrumental music on channel XM 68.

Sirius XM Spa

, a daily two-hour music radio program hosted by John Diliberto featuring a soundscape of ambient, spacemusic, electronica, new acoustic and new music directions – founded in 1989 and syndicated on 130 radio stations in the US.

Echoes

is a radio station offered by the British Broadcasting Corporation (BBC) that broadcasts ambient music. The channel features a variety of ambient genres, including electronic and instrumental compositions.

BBC Radio 1 Relax

, a program hosted by Stephen Hill and broadcast on NPR in the US since 1973.[105][106]

Hearts of Space

, a US-based commercial radio station and Internet program produced, programmed and hosted by Forest since 1981.

Musical Starstreams

, a radio show on 88.5 WXPN, in Philadelphia, Pennsylvania. Founded in 1976, it is the second longest-running ambient music radio show in the world.[107]

Star's End

, a weekly 90-minute show broadcast since 1989 on community radio across Australia.

Ultima Thule Ambient Music

Avaruusromua, the name meaning "space debris", is a 60-minute ambient and avant-garde radio program broadcast since 1990 on Finnish public broadcaster various stations.[108]

YLE's

at Curlie

Ambient music

Ambient Techno in Sound on Sound

Archived 2016-04-07 at the Wayback Machine

Ambient Music Guide – Comprehensive ambient music resource site