Big Brother (Nineteen Eighty-Four)
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants. In the society that Orwell describes, every citizen is under constant surveillance by the authorities, mainly by telescreens (with the exception of the Proles). The people are constantly reminded of this by the slogan "Big Brother is watching you": a maxim that is ubiquitously on display throughout the novel.
This article is about the novel character. For other uses, see Big Brother (disambiguation).Big Brother
In modern culture, the term "Big Brother" has entered the lexicon as a synecdoche for abuse of government power, particularly in respect to civil liberties, often specifically related to mass surveillance and a lack of choice in society.[1]
Character origins[edit]
There are many theories about the origin of the character. In the essay section of his novel 1985, Anthony Burgess states that Orwell got the idea for the name of Big Brother from advertising billboards for educational correspondence courses from a company called Bennett's during World War II. The original posters showed J. M. Bennett himself, a kindly-looking old man offering guidance and support to would-be students with the phrase "Let me be your father." According to Burgess, after Bennett's death, his son took over the company and the posters were replaced with pictures of the son (who looked imposing and stern in contrast to his father's kindly demeanor) with the text "Let me be your big brother".[2]
Additional speculation from Douglas Kellner of the University of California, Los Angeles, argued that Big Brother represents Joseph Stalin, representing Stalinism, and Adolf Hitler, representing Nazism.[3][4] Another theory is that the inspiration for Big Brother was Brendan Bracken, the Minister of Information, a government department in wartime United Kingdom, until 1945. Orwell worked under Bracken on the BBC's Indian, Hong Kong and Malayan Service. Bracken was customarily referred to by his employees by his initials, B.B., the same initials as the character Big Brother. Orwell also resented the wartime censorship and need to manipulate information which he felt came from the highest levels of the Minister of Information and from Bracken's office in particular.
The idea of Big Brother could be also borrowed from the 1937 H. G. Wells novel Star Begotten, in which "Big Brother" is referenced as a fictitious example of "mystical personifications" able to easily manipulate the common man,[5] as well as the Soviet Union, where there was an ideology of 'brotherly nations' or 'brotherly countries'. Russia presented itself as a big brother who watches over its younger brothers (other nations). The ideological word 'big brother' or 'older brother' was very well known and used in the Soviet Republics before and after the Second World War.[6] In the "Circe" episode of James Joyce's Ulysses (1922) the prophet Elijah addresses God as "Big Brother up there, Mr President".[7]
Portrayal in the novel[edit]
Existence[edit]
In the novel, it is never explicitly indicated if Big Brother is or had been a real person, or is a fictional personification of the Party, similar to Britannia and Uncle Sam. Big Brother is described as appearing on posters and telescreens as a man in his mid-forties. In Party propaganda, Big Brother is presented as one of the founders of the Party.
At one point, Winston Smith, the protagonist of Orwell's novel, tries "to remember in what year he had first heard mention of Big Brother. He thought it must have been at some time in the sixties, but it was impossible to be certain. In the Party histories, Big Brother figured as the leader and guardian of the Revolution since its very earliest days. His exploits had been gradually pushed backwards in time until already they extended into the fabulous world of the forties and the thirties, when the capitalists in their strange cylindrical hats still rode through the streets of London".
In the fictional book The Theory and Practice of Oligarchical Collectivism, read by Winston Smith and purportedly written by political theorist Emmanuel Goldstein, Big Brother is referred to as infallible and all-powerful. No one has ever seen him and there is a reasonable certainty that he will never die. He is simply "the guise in which the Party chooses to exhibit itself to the world" since the emotions of love, fear and reverence are more easily focused on an individual (if only a face on the hoardings and a voice on the telescreens) than an organisation. When Winston Smith is later arrested, O'Brien repeats that Big Brother will never die. When Smith asks if Big Brother exists, O'Brien describes him as "the embodiment of the Party" and says that he will exist as long as the Party exists. When Winston asks "Does Big Brother exist the same way I do?" (meaning is Big Brother an actual human being), O'Brien replies "You do not exist" (meaning that Smith is now an unperson; an example of doublethink).
Cult of personality[edit]
Big Brother is the subject of a cult of personality. A spontaneous ritual of devotion to "BB" is illustrated at the end of the compulsory Two Minutes Hate:
Though Oceania's Ministry of Truth, Ministry of Plenty and Ministry of Peace each have names with meanings deliberately opposite to their real purpose, the Ministry of Love is perhaps the most straightforward as "rehabilitated thought criminals" leave the Ministry as loyal subjects who have been brainwashed into adoring (loving) Big Brother, hence its name.[8]
Film adaptations[edit]
The character, as represented solely by a single still photograph, was played in the 1954 BBC adaptation by production designer Roy Oxley. In the 1956 film adaptation, Big Brother was represented by an illustration of a stern-looking disembodied head.
In the film starring John Hurt released in 1984, the Big Brother photograph was of actor Bob Flag. Both Oxley and Flag sported small moustaches.