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Nineteen Eighty-Four

Nineteen Eighty-Four (also published as 1984) is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society.[3][4] Orwell, a democratic socialist, modelled the authoritarian state in the novel on the Soviet Union in the era of Stalinism, and Nazi Germany.[5] More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.

This article is about the 1949 novel by George Orwell. For the year, see 1984. For other uses, see 1984 (disambiguation).

Author

Michael Kennard[1]

United Kingdom

English

8 June 1949 (1949-06-08)

Print (hardback and paperback)

328

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The story takes place in an imagined future in an unspecified year believed to be 1984, when much of the world is in perpetual war. Great Britain, now known as Airstrip One, has become a province of the totalitarian superstate Oceania, which is led by Big Brother, a dictatorial leader supported by an intense cult of personality manufactured by the Party's Thought Police. The Party engages in omnipresent government surveillance and, through the Ministry of Truth, historical negationism and constant propaganda to persecute individuality and independent thinking.[6]


The protagonist, Winston Smith, is a diligent mid-level worker at the Ministry of Truth who secretly hates the Party and dreams of rebellion. Smith keeps a forbidden diary. He begins a sexual relationship with a colleague, Julia, and they learn about a shadowy resistance group called the Brotherhood. However, their contact within the Brotherhood turns out to be a Party agent, and Smith and Julia are arrested. He is subjected to months of psychological manipulation and torture by the Ministry of Love. He ultimately betrays Julia and is released; he finally realises he loves Big Brother.


Nineteen Eighty-Four has become a classic literary example of political and dystopian fiction. It also popularised the term "Orwellian" as an adjective, with many terms used in the novel entering common usage, including "Big Brother", "doublethink", "Thought Police", "thoughtcrime", "Newspeak", and "2 + 2 = 5". Parallels have been drawn between the novel's subject matter and real life instances of totalitarianism, mass surveillance, and violations of freedom of expression, among other themes.[7][8][9] Orwell described his book as a "satire",[10] and a display of the "perversions to which a centralised economy is liable," while also stating he believed "that something resembling it could arrive."[10] Time included the novel on its list of the 100 best English-language novels published from 1923 to 2005,[11] and it was placed on the Modern Library's 100 Best Novels list, reaching number 13 on the editors' list and number 6 on the readers' list.[12] In 2003, it was listed at number eight on The Big Read survey by the BBC.[13]

Writing and publication[edit]

Idea[edit]

The Orwell Archive at University College London contains undated notes about ideas that evolved into Nineteen Eighty-Four. The notebooks have been deemed "unlikely to have been completed later than January 1944", and "there is a strong suspicion that some of the material in them dates back to the early part of the war".[14]


In one 1948 letter, Orwell claims to have "first thought of [the book] in 1943", while in another he says he thought of it in 1944 and cites 1943's Tehran Conference as inspiration: "What it is really meant to do is to discuss the implications of dividing the world up into 'Zones of Influence' (I thought of it in 1944 as a result of the Tehran Conference), and in addition to indicate by parodying them the intellectual implications of totalitarianism".[14] Orwell had toured Austria in May 1945 and observed manoeuvring he thought would probably lead to separate Soviet and Allied Zones of Occupation.[15][16]


In January 1944, literature professor Gleb Struve introduced Orwell to Yevgeny Zamyatin's 1924 dystopian novel We. In his response Orwell expressed an interest in the genre, and informed Struve that he had begun writing ideas for one of his own, "that may get written sooner or later."[17][18] In 1946, Orwell wrote about the 1931 dystopian novel Brave New World by Aldous Huxley in his article "Freedom and Happiness" for the Tribune, and noted similarities to We.[17] By this time Orwell had scored a critical and commercial hit with his 1945 political satire Animal Farm, which raised his profile. For a follow-up he decided to produce a dystopian work of his own.[19][20]

Writing[edit]

In a June 1944 meeting with Fredric Warburg, co-founder of his British publisher Secker & Warburg, shortly before the release of Animal Farm, Orwell announced that he had written the first 12 pages of his new novel. He could only earn a living from journalism, however, and predicted the book would not see a release before 1947.[18] Progress was slow; by the end of September 1945 Orwell had written some 50 pages.[21] Orwell became disenchanted with the restrictions and pressures involved with journalism and grew to detest city life in London.[22] He suffered from bronchiectasis and a lesion in one lung; the harsh winter worsened his health.[23]

Plot[edit]

In 1984, civilisation has been ravaged by world war, civil conflict, and revolution. Airstrip One (formerly known as Great Britain) is a province of Oceania, one of the three totalitarian super-states that rule the world. It is ruled by "The Party" under the ideology of "Ingsoc" (a Newspeak shortening of "English Socialism") and the mysterious leader Big Brother, who has an intense cult of personality. The Party brutally purges out anyone who does not fully conform to their regime, using the Thought Police and constant surveillance through telescreens (two-way televisions), cameras, and hidden microphones. Those who fall out of favour with the Party become "unpersons", disappearing with all evidence of their existence destroyed.


In London, Winston Smith is a member of the Outer Party, working at the Ministry of Truth, where he rewrites historical records to conform to the state's ever-changing version of history. Winston revises past editions of The Times, while the original documents are destroyed after being dropped into ducts known as memory holes, which lead to an immense furnace. He secretly opposes the Party's rule and dreams of rebellion, despite knowing that he is already a "thought-criminal" and is likely to be caught one day.


While in a prole neighbourhood he meets Mr. Charrington, the owner of an antiques shop, and buys a diary where he writes criticisms of the Party and Big Brother. To his dismay, when he visits a prole quarter he discovers they have no political consciousness. As he works in the Ministry of Truth, he observes Julia, a young woman maintaining the novel-writing machines at the ministry, whom Winston suspects of being a spy, and develops an intense hatred of her. He vaguely suspects that his superior, Inner Party official O'Brien, is part of an enigmatic underground resistance movement known as the Brotherhood, formed by Big Brother's reviled political rival Emmanuel Goldstein.


One day, Julia secretly hands Winston a love note, and the two begin a secret affair. Julia explains that she also loathes the Party, but Winston observes that she is politically apathetic and uninterested in overthrowing the regime. Initially meeting in the country, they later meet in a rented room above Mr. Charrington's shop. During the affair, Winston remembers the disappearance of his family during the civil war of the 1950s and his tense relationship with his estranged wife Katharine. Weeks later, O'Brien invites Winston to his flat, where he introduces himself as a member of the Brotherhood and sends Winston a copy of The Theory and Practice of Oligarchical Collectivism by Goldstein. Meanwhile, during the nation's Hate Week, Oceania's enemy suddenly changes from Eurasia to Eastasia, which goes mostly unnoticed. Winston is recalled to the Ministry to help make the necessary revisions to the records. Winston and Julia read parts of Goldstein's book, which explains how the Party maintains power, the true meanings of its slogans, and the concept of perpetual war. It argues that the Party can be overthrown if proles rise up against it. However, Winston never gets the opportunity to read the chapter that explains why the Party took power and is motivated to maintain it.


Winston and Julia are captured when Mr. Charrington is revealed to be an undercover Thought Police agent, and they are separated and imprisoned at the Ministry of Love. O'Brien also reveals himself to be a member of the Thought Police and a member of a false flag operation which catches political dissidents of the Party. Over several months, Winston is starved and relentlessly tortured to bring his beliefs in line with the Party. O'Brien tells Winston that he will never know whether the Brotherhood actually exists and that Goldstein's book was written collaboratively by him and other Party members; furthermore, O'Brien reveals to Winston that the Party sees power not as a means but as an end, and the ultimate purpose of the Party is seeking power entirely for its own sake. For the final stage of re-education, O'Brien takes Winston to Room 101, which contains each prisoner's worst fear. When confronted with rats, Winston denounces Julia and pledges allegiance to the Party.


Winston is released into public life and continues to frequent the Chestnut Tree café. He encounters Julia, and both reveal that they have betrayed the other and are no longer in love. Back in the café, a news alert celebrates Oceania's supposed massive victory over Eurasian armies in Africa. Winston finally accepts that he loves Big Brother.

 – the 39-year old protagonist who is a phlegmatic everyman harbouring thoughts of rebellion and is curious about the Party's power and the past before the Revolution.

Winston Smith

 – Winston's lover who publicly espouses Party doctrine as a member of the fanatical Junior Anti-Sex League. Julia enjoys her small acts of rebellion and has no interest in giving up her lifestyle.

Julia

 – A mysterious character, O'Brien is a member of the Inner Party who poses as a member of The Brotherhood, the counter-revolutionary resistance, to catch Winston. He is a spy intending to deceive, trap, and capture Winston and Julia.

O'Brien

Big Brother

Oceania (ideology: , known in Oldspeak as English Socialism), whose core territories are "the Americas, the Atlantic Islands, including the British Isles, Australasia and the southern portion of Africa".

Ingsoc

Eurasia (ideology: Neo-Bolshevism), whose core territories are "the whole of the northern part of the and Asiatic landmass from Portugal to the Bering Strait".

European

Eastasia (ideology: Obliteration of the Self, also known as Death-Worship), whose core territories are " and the countries to the south of it, the Japanese islands, and a large but fluctuating portion of Manchuria, Mongolia and Tibet".

China

Themes[edit]

Nationalism[edit]

Nineteen Eighty-Four expands upon the subjects summarised in Orwell's essay "Notes on Nationalism"[54] about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In Nineteen Eighty-Four, the Party's artificial, minimalist language 'Newspeak' addresses the matter.

In 1955, an episode of BBC's , 1985, was broadcast, written by Spike Milligan and Eric Sykes and based on Nigel Kneale's television adaptation. It was re-recorded about a month later with the same script but a slightly different cast.[141] 1985 parodies many of the main scenes in Orwell's novel.

The Goon Show

In 1970, the American rock group released the song "1984" based on Orwell's novel.

Spirit

In 1973, ex- bassist Hugh Hopper released an album called 1984 on the Columbia label (UK), consisting of instrumentals with Orwellian titles such as "Miniluv", "Minipax", "Minitrue", and so forth.

Soft Machine

In 1974, released the album Diamond Dogs, which is thought to be loosely based on the novel Nineteen Eighty-Four. It includes the tracks "We Are The Dead", "1984" and "Big Brother". Before the album was made, Bowie's management (MainMan) had planned for Bowie and Tony Ingrassia (MainMan's creative consultant) to co-write and direct a musical production of Orwell's Nineteen Eighty-Four, but Orwell's widow refused to give MainMan the rights.[142][143]

David Bowie

In 1977, the British rock band released the album This Is the Modern World, which includes the track "Standards" by Paul Weller. This track concludes with the lyrics "...and ignorance is strength, we have God on our side, look, you know what happened to Winston."[144]

The Jam

In 1984, directed a television commercial, "1984", to launch Apple's Macintosh computer.[145] The advert stated, "1984 won't be like 1984", suggesting that the Apple Mac would be freedom from Big Brother, i.e., the IBM PC.[146]

Ridley Scott

An episode of , called "The God Complex", depicts an alien ship disguised as a hotel containing Room 101-like spaces, and also, like the novel, quotes the nursery rhyme "Oranges and Lemons".[147]

Doctor Who

The two part episode on Star Trek: The Next Generation bears some resemblances to the novel.[148]

Chain of Command

's 2003 single "2 + 2 = 5", from their album Hail to the Thief, is Orwellian by title and content. Thom Yorke states, "I was listening to a lot of political programs on BBC Radio 4. I found myself writing down little nonsense phrases, those Orwellian euphemisms that [the British and American governments] are so fond of. They became the background of the record."[144]

Radiohead

In September 2009, the English progressive rock band released The Resistance, which included songs influenced by Nineteen Eighty-Four.[149]

Muse

In 's autobiography The Long Hard Road Out of Hell, he states: "I was thoroughly terrified by the idea of the end of the world and the Antichrist. So I became obsessed with it... reading prophetic books like... 1984 by George Orwell..."[150]

Marilyn Manson

English band references the novel in their song "Back to the Future", the fifth track on their 2022 album Give Me the Future, in the opening lyrics: "Feels like we danced into a nightmare/We're living 1984/If doublethink's no longer fiction/We'll dream of Huxley's Island shores."[151]

Bastille

Released in 2004, KAKU P-Model/'s song Big Brother directly references 1984, and the album itself is about a fictional dystopia in a distant future.

Susumu Hirasawa

released a song by the same name, "1984" on their 2020 album Heartwork. [152]

The Used

at Curlie

Nineteen Eighty-Four

at the Internet Book List

Nineteen Eighty-Four

Archived 8 May 2022 at the Wayback Machine at the British Library

Nineteen Eighty-Four

at the Open Library

Nineteen Eighty-Four

title listing at the Internet Speculative Fiction Database

Nineteen Eighty-Four

at Internet Archive

1953 Theatre Guild on the Air radio adaptation

Historian Sarah Wise on the London of Nineteen Eighty-Four on the London Fictions website

(1980). "Review of 1984". The New Yorker.

Asimov, Isaac