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Black

Black is a color that results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey.[2] It is often used symbolically or figuratively to represent darkness.[3] Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates.[3]

This article is about the color. For the race, see black people. For other uses, see Black (disambiguation).

Black

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Black was one of the first colors used by artists in Neolithic cave paintings.[4] It was used in ancient Egypt and Greece as the color of the underworld.[5] In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic.[6] In the 14th century, it was worn by royalty, clergy, judges, and government officials in much of Europe. It became the color worn by English romantic poets, businessmen and statesmen in the 19th century, and a high fashion color in the 20th century.[3] According to surveys in Europe and North America, it is the color most commonly associated with mourning, the end, secrets, magic, force, violence, fear, evil, and elegance.[7]


Black is the most common ink color used for printing books, newspapers and documents, as it provides the highest contrast with white paper and thus is the easiest color to read. Similarly, black text on a white screen is the most common format used on computer screens.[8] As of September 2019, the darkest material is made by MIT engineers from vertically aligned carbon nanotubes.[9]

Etymology

The word black comes from Old English blæc ("black, dark", also, "ink"), from Proto-Germanic *blakkaz ("burned"), from Proto-Indo-European *bhleg- ("to burn, gleam, shine, flash"), from base *bhel- ("to shine"), related to Old Saxon blak ("ink"), Old High German blach ("black"), Old Norse blakkr ("dark"), Dutch blaken ("to burn"), and Swedish bläck ("ink"). More distant cognates include Latin flagrare ("to blaze, glow, burn"), and Ancient Greek phlegein ("to burn, scorch"). The Ancient Greeks sometimes used the same word to name different colors, if they had the same intensity. Kuanos' could mean both dark blue and black.[10] The Ancient Romans had two words for black: ater was a flat, dull black, while niger was a brilliant, saturated black. Ater has vanished from the vocabulary, but niger was the source of the country name Nigeria,[11] the English word Negro, and the word for "black" in most modern Romance languages (French: noir; Spanish and Portuguese: negro; Italian: nero; Romanian: negru).


Old High German also had two words for black: swartz for dull black and blach for a luminous black. These are parallelled in Middle English by the terms swart for dull black and blaek for luminous black. Swart still survives as the word swarthy, while blaek became the modern English black.[10] The former is cognate with the words used for black in most modern Germanic languages aside from English (German: schwarz, Dutch: zwart, Swedish: svart, Danish: sort, Icelandic: svartr).[12] In heraldry, the word used for the black color is sable,[13] named for the black fur of the sable, an animal.

The Italian painter Duccio di Buoninsegna showed Christ expelling the Devil, shown covered with bristly black hair (1308–11).

The Italian painter Duccio di Buoninsegna showed Christ expelling the Devil, shown covered with bristly black hair (1308–11).

The 15th-century painting of the Last Judgement by Fra Angelico (1395–1455) depicted hell with a vivid black devil devouring sinners.

The 15th-century painting of the Last Judgement by Fra Angelico (1395–1455) depicted hell with a vivid black devil devouring sinners.

Portrait of a monk of the Benedictine Order (1484)

Portrait of a monk of the Benedictine Order (1484)

The black knight in a miniature painting of a medieval romance,Le Livre du cœur d'amour épris (about 1460)

The black knight in a miniature painting of a medieval romance,Le Livre du cœur d'amour épris (about 1460)

Gutenberg Bible (1451–1452). Black ink was used for printing books, because it provided the greatest contrast with the white paper and was the clearest and easiest color to read.

Gutenberg Bible (1451–1452). Black ink was used for printing books, because it provided the greatest contrast with the white paper and was the clearest and easiest color to read.

Vine black was produced in Roman times by burning the cut branches of grapevines. It could also be produced by burning the remains of the crushed grapes, which were collected and dried in an oven. According to the historian , the deepness and richness of the black produced corresponded to the quality of the wine. The finest wines produced a black with a bluish tinge the color of indigo.

Vitruvius

A flag used by the Revolutionary Insurgent Army of Ukraine during the Russian Civil War. It says, "Power begets parasites. Long live Anarchy!"

A flag used by the Revolutionary Insurgent Army of Ukraine during the Russian Civil War. It says, "Power begets parasites. Long live Anarchy!"

Benito Mussolini and his blackshirt followers during his March on Rome in 1922.

Benito Mussolini and his blackshirt followers during his March on Rome in 1922.

Black uniform of Heinrich Himmler, head of the SS, the military wing of the Nazi Party (1938).

Black uniform of Heinrich Himmler, head of the SS, the military wing of the Nazi Party (1938).

Associations and symbolism

Mourning

In the West, black is commonly associated with mourning and bereavement,[83][6] and usually worn at funerals and memorial services. In some traditional societies, for example in Greece and Italy, some widows wear black for the rest of their lives. In contrast, across much of Africa and parts of Asia like Vietnam, white is a color of mourning.


In Victorian England, the colors and fabrics of mourning were specified in an unofficial dress code: "non-reflective black paramatta and crape for the first year of deepest mourning, followed by nine months of dullish black silk, heavily trimmed with crape, and then three months when crape was discarded. Paramatta was a fabric of combined silk and wool or cotton; crape was a harsh black silk fabric with a crimped appearance produced by heat. Widows were allowed to change into the colors of half-mourning, such as gray and lavender, black and white, for the final six months."[84]


A "black day" (or week or month) usually refers to tragic date. The Romans marked fasti days with white stones and nefasti days with black. The term is often used to remember massacres. Black months include the Black September in Jordan, when large numbers of Palestinians were killed, and Black July in Sri Lanka, the killing of members of the Tamil population by the Sinhalese government.


In the financial world, the term often refers to a dramatic drop in the stock market. For example, the Wall Street Crash of 1929, the stock market crash on 29 October 1929, which marked the start of the Great Depression, is nicknamed Black Tuesday, and was preceded by Black Thursday, a downturn on 24 October the previous week.

Black Rose (disambiguation)

Lists of colors

which is different from using black ink alone, in printing.

Rich black

Shades of black

Pastoureau, Michael (2008). Black: The History of a Color. Princeton University Press. p. 216.  978-0691139302.

ISBN

Heller, Eva (2009). Psychologie de la couleur – Effets et symboliques. Pyramyd (French translation).  978-2-35017-156-2.

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Zuffi, Stefano (2012). Color in Art. Abrams.  978-1-4197-0111-5.

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Gage, John (2009). La Couleur dans l'art. Thames & Hudson.  978-2-87811-325-9.

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Flam, Jack (1995). Matisse on Art. University of California Press.  0-520-20037-3.

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Cranshaw, Whitney (2004). . Princeton, New Jersey: Princeton University Press. ISBN 0-691-09560-4.

Garden Insects of North America

Gottsegen, Mark (2006). The Painter's Handbook: A Complete Reference. New York: Watson-Guptill Publications.  0-8230-3496-8.

ISBN

Varichon, Anne (2000). Couleurs – pigments et teintures dans les mains des peuples. Paris: Editions du Seuil.  978-2-02-084697-4.

ISBN

(2000). Death in the Victorian Family. Oxford University Press. ISBN 9780198208327.

Jalland, Patricia

Broecke, Lara (2015). Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with Italian Transcription. Archetype.  978-1-909492-28-8.

ISBN

St. Clair, Kassia (2016). The Secret Lives of Colour. London: John Murray.  9781473630819. OCLC 936144129.

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