Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his siblings. Holly's style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school.
This article is about the musician. For his album, see Buddy Holly (album). For the Weezer song, see Buddy Holly (song).
Buddy Holly
February 3, 1959 (aged 22)
Blunt trauma as a result of a plane accident
City of Lubbock Cemetery in Lubbock County, Texas
- Singer
- songwriter
1952–1959
- Vocals
- guitar
- Buddy and Bob
- The Crickets
Holly made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when Holly opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.
Holly's recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley's musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of "That'll Be the Day", among other songs. Petty became the band's manager and sent the demo to Brunswick Records, which released it as a single credited to The Crickets, which became the name of Holly's band. In September 1957, as the band toured, "That'll Be the Day" topped the US and UK singles charts. Its success was followed in October by another major hit, "Peggy Sue."
The album The "Chirping" Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern US. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as "The Day the Music Died" in his song "American Pie."
During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. Holly was a major influence on later popular music artists, including Bob Dylan, the Beatles, the Rolling Stones, Eric Clapton, the Hollies, Elvis Costello, Dave Edmunds, Marshall Crenshaw, and Elton John. Holly was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of "100 Greatest Artists" in 2010.
Life and career[edit]
Early life and career (1936–1955)[edit]
Holly was born as Charles Hardin Holley (spelled "-ey") in Lubbock, Texas, on September 7, 1936, the youngest of four children of Lawrence Odell "L.O." Holley (1901–85) and Ella Pauline Drake (1902–90). His elder siblings were Larry (1925–2022),[2] Travis (1927–2016),[3] and Patricia Lou (1929–2008).[4] Holly was of mostly English and Welsh descent and had small amounts of Native American ancestry as well.[5] From early childhood, Holly was nicknamed "Buddy."[6] During the Great Depression, the Holleys frequently moved residence within Lubbock; L.O. changed jobs several times. Buddy Holly was baptized a Baptist, and the family were members of the Tabernacle Baptist Church.[6]
The Holleys had an interest in music; all the family members except L.O. were able to play an instrument or sing. The elder Holley brothers performed in local talent shows; on one occasion, Buddy joined them on violin. Since he could not play it, his brother Larry greased the bow so it would not make any sound. The brothers won the contest.[7] During World War II, Larry and Travis were called to military service. Upon his return, Larry brought with him a guitar he had bought from a shipmate while serving in the Pacific. At age 11, at his mother’s urging, Buddy took piano lessons but abandoned them after nine months. He switched to the guitar after he saw a classmate playing and singing on the school bus. Buddy's parents initially bought him a steel guitar, but he insisted that he wanted a guitar like his brother's. His parents bought him an acoustic guitar from a local pawnshop, and he learned how to play it from Travis.[8]
During his early childhood, Holly was influenced by the music of Hank Williams, Jimmie Rodgers, Moon Mullican, Bill Monroe, Hank Snow, Bob Wills, and the Carter Family. At Roscoe Wilson Elementary, Holly became friends with Bob Montgomery, and the two played together, practicing with songs by The Louvin Brothers and Johnnie & Jack.[9] They both listened to the radio programs Grand Ole Opry on WSM, Louisiana Hayride on KWKH, and Big D Jamboree. At the same time, Holly played with other musicians he met in high school, including Sonny Curtis and Jerry Allison.[10] In 1952 Holly and Jack Neal participated as a duo billed as "Buddy and Jack" in a talent contest on a local television show. After Neal left, he was replaced by Bob Montgomery, and they were billed as "Buddy and Bob." They soon started performing on the Sunday Party show on KDAV in 1953 and performed live gigs in Lubbock.[11] At that time, Holly was influenced by late-night radio stations that played blues and rhythm and blues (R&B). He would sit in his car with Curtis and tune to distant radio stations that could only be received at night, when local transmissions ceased.[12] Holly then modified his music by blending his earlier country and western (C&W) influence with R&B.[13]
By 1955, after graduating from Lubbock High School, Holly decided to pursue a full-time career in music. He was further encouraged after seeing Elvis Presley perform live in Lubbock, whose act was booked by Pappy Dave Stone of KDAV. In February, Holly opened for Presley at the Fair Park Coliseum, in April at the Cotton Club, and again in June at the Coliseum. By that time, Holly had incorporated into his band Larry Welborn on the stand-up bass and Allison on drums, as his style shifted from country and western to rock and roll due to seeing Presley's performances and hearing his music.[12] In October, Stone booked Bill Haley & His Comets and placed Holley as the opening act to be seen by Nashville scout Eddie Crandall. Impressed, Crandall persuaded Grand Ole Opry manager Jim Denny to seek a recording contract for Holley. Stone sent a demo tape, which Denny forwarded to Paul Cohen, who signed the band to Decca Records in February 1956.[14] In the contract, Decca misspelled Holly's surname as "Holly", and from then on he was known as "Buddy Holly", instead of his real name "Holley."
On January 26, 1956, Holly attended his first formal recording session, which was produced by Owen Bradley.[15] He attended two more sessions in Nashville, but with the producer selecting the session musicians and arrangements, Holly became increasingly frustrated by his lack of creative control.[14] In April 1956, Decca released "Blue Days, Black Nights" as a single, with "Love Me" on the B-side. Denny included Holly on a tour as the opening act for Faron Young. During the tour, they were promoted as "Buddy Holly and the Two Tones", while later Decca called them "Buddy Holly and the Three Tunes."[14] The label later released Holly's second single "Modern Don Juan", backed with "You Are My One Desire." Neither single made an impression. On January 22, 1957, Decca informed Holly his contract would not be renewed, but insisted he could not record the same songs for anyone else for five years.[16]
Image and style[edit]
Holly's singing style was characterized by his vocal hiccups and his alternation between his regular voice and falsetto.[56] Holly's "stuttering vocals" were complemented by his percussive guitar playing, solos, stops, bent notes, and rhythm and blues chord progressions.[57] He often strummed downstrokes that were accompanied by Allison's "driving" percussion.[13]
Holly bought his first Fender Stratocaster, which became his signature guitar, at Harrod Music in Lubbock for $249.50. Fender Stratocasters were popular with country musicians; Holly chose it for its loud sound.[58] His "innovative" playing style was characterized by its blending of "chunky rhythm" and "high string lead work." Holly played his first Stratocaster, a 1954 model, until it was stolen during a tour stop in Michigan in 1957. To replace it, he purchased a 1957 model before a show in Detroit. Holly owned four or five Stratocasters during his career.[59]
At the beginning of their music careers, Holly and his group wore business suits. When they met the Everly Brothers, Don Everly took the band to Phil's men's shop in New York City and introduced them to Ivy League clothes. The brothers advised Holly to replace his old-fashioned glasses with horn-rimmed glasses, which had been popularized by Steve Allen.[60] Holly bought a pair of glasses made in Mexico from Lubbock optometrist Dr. J. Davis Armistead. Teenagers in the United States started to request this style of glasses, which were later popularly known as "Buddy Holly glasses."[61]
When the plane crashed, the wreckage was strewn across many yards (meters) of snow-covered ground. While his other belongings were recovered immediately, there was no record of his signature glasses being found. They were presumed lost until, in March 1980, they were discovered in a Cerro Gordo County courthouse storage area by Sheriff Gerald Allen. They had been found in the spring of 1959, after the snow had melted, and had been given to the sheriff's office. They were placed in an envelope dated April 7, 1959, along with the Big Bopper's watch, a lighter, two pairs of dice and part of another watch, and misplaced when the county moved courthouses. The glasses, missing their lenses, were returned to Santiago a year later, after a legal contest over them with his parents. They are now on display at the Buddy Holly Center in Lubbock, Texas.[62][63]