Egyptian Revival decorative arts
Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects.
Enthusiasm for the artistic style of Ancient Egypt is generally attributed to the excitement over Napoleon's conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte, began in 1809 and came out in a series though 1826, inspiring everything from sofas with Sphinxes for legs, to tea sets painted with the pyramids. It was the popularity of the style that was new, Egyptianizing works of art had appeared in scattered European settings from the time of the Renaissance.
The Egyptian Gallery, a private room in the Duchess Street home of connoisseur Thomas Hope to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book, Household Furniture and Interior Decoration (1807), were a prime source for the Regency style in British furnishings. The book inspired a generation of fashionable English homeowners to install parlor suites featuring chairs, tables and sofas in shapes that evoked the objects depicted on Egyptian tomb paintings.[1][2]
Later discoveries prompted further revivals, with the discovery of Tutankhamun's tomb creating an especially large revival in the 1920s. This revival in particular had a sizable influence on the Art Deco movement.[3]
![Canopic jar, by Wedgwood, c.1773, earthenware and encaustic, Brooklyn Museum, New York City[4]](http://upload.wikimedia.org/wikipedia/commons/thumb/0/07/Canopic_Vase_-_Wedgwood%2C_c._1779_-_Brooklyn_Museum_-_Brooklyn%2C_NY_-_DSC08893.JPG/161px-Canopic_Vase_-_Wedgwood%2C_c._1779_-_Brooklyn_Museum_-_Brooklyn%2C_NY_-_DSC08893.JPG)
Table, 1775–1780, wood, carved, painted, and partly gilded, and black granite top not original to table, Metropolitan Museum of Art, New York City
Six-light candelabrums with stands, by Alexis Decaix, 1802–1806, gilt bronze, Metropolitan Museum of Art
![Empire style vase with pedestal, 1804–1806, varnished sheet and gilded bronze, Louvre[5]](http://upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Vase_%C3%A9gyptien_%28Louvre%2C_LP_3275%29.jpg/103px-Vase_%C3%A9gyptien_%28Louvre%2C_LP_3275%29.jpg)
Potpourri vase with pseudo-hieroglyphs, by the Königliche Porzellan-Manufaktur Berlin, c.1810, porcelain (painted & partially gilded), Neues Museum, Berlin
Signet with pharaoh head and Egyptian Revival motifs, c.1810, bronze, Neues Museum
Armchair, 1870–1875, rosewood and prickly juniper veneer, Metropolitan Museum of Art
Center table, 1870–1875, rosewood, walnut and marble, Metropolitan Museum of Art
Frame detail of The Death of the Pharaoh's Firstborn Son by Lawrence Alma-Tadema, unknown maker, 1872, painted and gilded wood
Pitcher, c.1872, silver, Metropolitan Museum of Art
Bed from 'Nouveaux modèles de Tentures (Bibliothèque de l'Ameublement)', 1875–1885, color lithography, Metropolitan Museum of Art
Ceremonial gift for Lord Kitchener, 1898, gilt silver, enamel and gems, Hessisches Landesmuseum Darmstadt, Darmstadt, Germany
Necklace with scarabs, by Giacinto Melillo, late 19th–early 20th century, gold, steatite and lapis lazuli, Walters Art Museum, Baltimore, USA
Glass case with lotus columns at each corner, unknown maker, late 19th century, wood and glass, Macca House, Bucharest, Romania
Art Deco dress decorated with lotus flower that are inspired by those found in Ancient Egyptian decoration, by Jenny (couturier) and Lesage (embroiderer), 1926, silk, metallic thread, and crocheted embroidery, Musée Galliera, Paris
