Ian Hunter (singer)
Ian Hunter Patterson (born 3 June 1939)[1][2][3][nb 1] is an English singer, songwriter and musician. He is best known as the lead vocalist of the rock band Mott the Hoople, from its inception in 1969 to its dissolution in 1974, and at the time of its 2009, 2013, and 2019 reunions. Hunter was a musician and songwriter before joining Mott the Hoople, and continued in this vein after he left the band. He embarked on a solo career despite ill health and disillusionment with commercial success, and often worked in collaboration with Mick Ronson, David Bowie's sideman and arranger from The Rise and Fall of Ziggy Stardust and the Spiders from Mars period.
Ian Hunter
Ian Hunter Patterson
3 June 1939
Oswestry, Shropshire, England
- Singer
- songwriter
- musician
- Vocals
- piano
- guitar
1958–present
Mott the Hoople achieved some commercial success, and attracted a small but devoted fan base. As a solo artist, Hunter charted with lesser-known but more wide-ranging works outside the rock mainstream. His best-known solo songs are "Once Bitten, Twice Shy", later covered by Great White, and "England Rocks", which was modified to "Cleveland Rocks" and then covered by The Presidents of the United States of America, and became one of the theme songs used for the American TV series The Drew Carey Show.
Early years[edit]
Hunter was born in Oswestry, Shropshire, England.[3] Due to the onset of war, the family moved to Hamilton, South Lanarkshire to live with the family of his Scottish father. Hunter was brought up there until the age of six and has stated that he considers himself a Scot,[4] but also identifies as English.[5][6][7][8][9][10]
Hunter's entry into the music business came after a chance encounter with Colin York and Colin Broom at a Butlin's holiday camp, where the trio won a talent competition performing "Blue Moon" on acoustic guitars.[11] York and Broom were members of a Northampton-based band called The Apex Group, fronted by bass player and band leader Frank Short. Hunter soon left his home in Shrewsbury, transferred his apprenticeship from Sentinel/Rolls-Royce to British Timken in Northampton, and joined The Apex Group on rhythm guitar. Hunter recalls jumping around like a lunatic on stage: "Music affected me so much. The rest of them just stood there. It was funny, I had kids who came just to watch me do this, and I can't imagine what it looked like."[11]
Hunter left The Apex Group in 1958, just before they recorded their first single "Yorkshire Relish" / "Caravan" for John Lever Records.[12] Hunter played in a few local groups, but eventually his financial situation forced a change. "I wasn't making my hire-purchase payments, and 'little jobs' were getting done and people were getting smacked. I was never in the middle of it, but I was always somewhere in the area."[11] He returned to Shrewsbury, ostensibly to become more responsible in his personal life, and settled down enough to have a steady girlfriend in Diane Coles. Outside of his day job, he and Tony Wardle formed a harmonica duo inspired by Morton Fraser's Harmonica Gang, a local variety act.
It was during this period – late 1963 or early 1964 – that The Apex recorded a second disc for John Lever records, released as The Apex Rhythm & Blues All Stars. The four-song EP included their own "Tall Girl", and covers of Chuck Berry's "Reeling and a-Rocking" and "Down the Road a Piece", and Jimmy Gilmer and the Fireballs' "Sugar Shack". Hunter probably does not appear on this record; the EP was recorded around the time Hunter left the group for the second time.[12]
At Freddie Lee's [who he?] suggestion, The Shriekers [who they?] began taking jobs in the same German clubs where the Beatles had cut their teeth a few years earlier. In an interview taped in 2004, Hunter volunteers that Lee and their gigs in Hamburg were a major turning point, at which he first began to "think maybe I could do this instead of working in factories."[13]
In 1966, Hunter moved to London, where he joined The Scenery with guitarist Miller Anderson, drummer Dave Dufort and keyboard player Dante Smith. There Hunter met Mick Ronson, then guitarist of bands the Voice and The Rats, at the Flamingo Club in London. According to Anderson, "Mick was coming down the stairs ... and we were going up and I said, `Mick, this is my friend, Ian [Hunter] Patterson.'"[11]: 41 The Scenery, now with John Vernon Smith on drums, recorded tracks with Bill Farley at Regent Sound that were licensed for international release without their knowledge. Hunter and Anderson recall writing and recording "To Make a Man Cry," but not the B-side, "Thread of Time." John Vernon Smith appears on the picture sleeve, but Johnny Banks, of The Merseybeats, played on the record. Johnny Gustafson was also included in the session work. The songs were released on the Impact label, and it is unclear whether they originated from France or Belgium.[12]
Hunter remained in the band after Anderson's early 1968 departure. Anderson and J.V. Smith were replaced by guitarist Chris Mayfield and drummer Pete Phillipps, and the group backed up Freddie Lee in 'At Last The 1958 Rock and Roll Show'. They got a regular booking at The Angel in Edmonton, and drew interest from both Chrysalis Records and NEMS but were signed by neither. With Miller Anderson back in place of Mayfield, the group released a single on CBS called "I Can't Drive". As the short-lived rock and roll revival waned, 'At Last the 1958 Rock and Roll Show' changed its name to 'Charlie Woolfe' and released a final single, "Dance, Dance, Dance".
During these obscure early years for Hunter, Hereford band Shakedown Sound, with future Mott members [which ones?] in their ranks, gigged in roughly the same circles but without any record company interest.[14]
Hunter played with various other artists throughout the 1960s, including The Young Idea, Billy Fury and David McWilliams. In late 1968 Mickie Most hired Hunter and Dufort to play in a band that was to be called 'The New Yardbirds', a name that Jimmy Page had been using for his post-Yardbirds group before discarding it in favour of 'Led Zeppelin'. This led confused fans to think that Hunter had been a member of Led Zeppelin. Explained Hunter: "See: this is rubbish, but people read it and believe it."[15] Hunter also worked as a journalist and staff songwriter for Francis, Day & Hunter Ltd., did road-digging for a local council, and reported for a local newspaper.
Career[edit]
Mott the Hoople[edit]
By 1969, Hunter had two children, but was still hoping for a return to making music full-time. Meanwhile, guitarist Mick Ralphs joined organist Verden Allen in Jimmy Cliff's backing band, The Shakedown Sound. Eventually Ralphs, Allen, vocalist Stan Tippins, bassist Overend Watts, and drummer Dale Griffin united to become Silence, who auditioned for British impresario Guy Stevens. Silence renamed themselves after Willard Manus' 1966 novel, Mott the Hoople.[16] The band lacked a credible singer with stage presence, and the seasoned Hunter, who had by this time taken to wearing his trademark sunglasses, auditioned for a laugh and was given the position. They were a critical success in the UK, where some of their most dedicated early fans included future members of the Clash.[17] However, they could not sustain their commercial appeal, and their American tours were slow in building a following. Mott released several LPs and attracted enthusiastic live audiences, but experienced dismal sales despite the svengali-like leadership and promotion of Stevens.[18] After a 1972 concert in a "gas cylinder" in Switzerland, the band announced their end.