Marc Bolan
Marc Bolan (/ˈboʊlən/ BOH-lən; born Mark Feld; 30 September 1947 – 16 September 1977) was an English guitarist, singer-songwriter and poet. He was a pioneer of the glam rock movement in the early 1970s with his band T. Rex.[1] Bolan strongly influenced artists of many genres, including glam rock, punk, post-punk, new wave, indie rock, Britpop and alternative rock. He was posthumously inducted into the Rock and Roll Hall of Fame in 2020 as a member of T. Rex.[2]
Marc Bolan
Mark Feld
16 September 1977 (aged 29)
Barnes, London, England
- Musician
- singer
- songwriter
- poet
- Vocals
- guitar
1957–1977
In the late 1960s, he rose to fame as the founder and leader of the psychedelic folk band Tyrannosaurus Rex, with whom he released four critically acclaimed albums and had one minor hit "Debora". Bolan had started as an acoustic singer-writer before heading into electric music prior to the recording of T. Rex's first single "Ride a White Swan" which went to number two in the UK singles chart.[3] From 1970 to 1973, T. Rex encountered a popularity in the UK comparable to that of the Beatles, with a run of eleven top ten singles, four of which reached number one: "Hot Love", "Get It On", "Telegram Sam" and "Metal Guru". The 1971 album Electric Warrior, with all songs written by Bolan, received critical acclaim, reached number 1 in the UK and became a landmark album in glam rock. From 1973, he started marrying rock with other influences, including funk, soul, gospel, disco and R&B.
Bolan died in a car crash in 1977. A memorial stone and bust of Bolan, Marc Bolan's Rock Shrine, was unveiled at the site where he died in Barnes, London. His musical influence as guitarist and songwriter was profound; he inspired many later acts over the following decades. Bolan's March 1971 appearance on the BBC's music show Top of the Pops, wearing glitter on his face, performing the UK chart topper "Hot Love" is cited as the start of the glam rock movement.[4]
Music critic Ken Barnes called Bolan "the man who started it all".[5] The 1971 album Electric Warrior has been described by AllMusic as "the album that essentially kick-started the UK glam rock craze."[6] Producer Tony Visconti, who worked with Bolan during his heyday, stated: "What I saw in Marc Bolan had nothing to do with strings, or very high standards of artistry; what I saw in him was raw talent. I saw genius. I saw a potential rock star in Marc – right from the minute, the hour I met him."
Music career[edit]
1964–1967: Early career[edit]
In 1964, Bolan met his first manager, Geoffrey Delaroy-Hall, and recorded a slick commercial track backed by session musicians called "All at Once" (a song very much in the style of his youthful hero, Cliff Richard, the "English Elvis"), which was later released posthumously by Danielz and Caron Willans in 2008 as a very limited edition seven-inch vinyl after the original tape recording was passed onto them by Delaroy-Hall. This track is one of Bolan's first professional recordings.
Bolan then changed his stage name to Toby Tyler when he met and moved in with child actor Allan Warren, who became his second manager. This encounter afforded Bolan a lifeline to the heart of show business, as Warren saw Bolan's potential while he spent hours sitting cross-legged on Warren's floor playing his acoustic guitar. Bolan at this time liked to appear wearing a corduroy peaked cap similar to his then
-current source of inspiration, Bob Dylan. A series of photographs was commissioned with photographer Michael McGrath, although he recalls that Bolan "left no impression" on him at the time.[14] Warren also hired a recording studio and had Bolan's first acetates cut. Two tracks were later released, the Bob Dylan song "Blowin' in the Wind" and Dion's "The Road I'm On (Gloria)". A version of Betty Everett's "You're No Good" (still unreleased) was later submitted to EMI for a test screening but was turned down.
Warren later sold Bolan's contract and recordings for £200 to his landlord, property mogul David Kirch, in lieu of three months' back rent, but Kirch was too busy with his property empire to do anything for him. A year or so later, Bolan's mother pushed into Kirch's office and shouted at him that he had done nothing for her son. She demanded he tear up the contract and he willingly complied.[15][16][17] The tapes of the first two tracks produced during the Toby Tyler recording session vanished for over 25 years before resurfacing in 1991 and selling for nearly $8,000. Their eventual release on CD in 1993 made available some of the earliest of Bolan's known recordings.
He signed to Decca Records in August 1965. At this point his name changed to Marc Bolan via Marc Bowland. There are several accounts of why Bolan was chosen, including that it was derived from James Bolam, that it was a contraction of Bob Dylan, and – according to Bolan himself – that Decca Records chose the name.[18] He recorded his debut single "The Wizard" with the Ladybirds on backing vocals (later finding fame with Benny Hill), and studio session musicians playing all the instruments. "The Wizard", Bolan's first single, was released on 19 November 1965. It featured Jimmy Page and Big Jim Sullivan, was produced by Jim Economides, with music director Mike Leander. Two solo acoustic demos recorded shortly afterwards by the same team ("Reality" and "Song for a Soldier") have still only been given a limited official release in 2015 on seven-inch vinyl. Both songs are in a folk style reminiscent of Dylan and Donovan. A third song, "That's the Bag I'm In", written by New York folk singer and Dylan contemporary Fred Neil, was also committed to tape, but has not yet been released. In June 1966, a second official single was also released, with session-musician accompaniment, "The Third Degree", backed by "San Francisco Poet", Bolan's paean to the beat poets. Neither song made the charts.[9]
In 1966, Bolan turned up at Simon Napier-Bell's front door with his guitar and proclaimed that he was going to be a big star and he needed someone to make all of the arrangements. Napier-Bell invited Bolan in and listened to his songs. A recording session was immediately booked and the songs were very simply recorded (most of them were not actually released until 1974, on the album The Beginning of Doves). Only "Hippy Gumbo", a sinister-sounding, baroque folk-song, was released at the time as Bolan's third unsuccessful single. One song, "You Scare Me to Death", was used in a toothpaste advertisement. Some of the songs also resurfaced in 1982, with additional instrumentation added, on the album You Scare Me to Death. Napier-Bell managed the Yardbirds and John's Children and was at first going to slot Bolan into the Yardbirds. In early 1967 he eventually settled instead for John's Children because they needed a songwriter and he admired Bolan's writing ability. The band achieved some success as a live act but sold few records. A John's Children single written by Bolan called "Desdemona" was banned by the BBC for its line "lift up your skirt and fly".
His tenure with the band was brief. Following an ill-fated German tour with the Who, Bolan took some time to reassess his situation. Bolan's imagination was filled with new ideas and he began to write fantasy novels (The Krakenmist and Pictures Of Purple People) as well as poems and songs, sometimes finding it hard to separate facts from his own elaborate myth – he famously claimed to have spent time with a wizard in Paris who gave him secret knowledge and could levitate. The time spent with him was often alluded to but remained "mythical". In reality the wizard was probably American actor Riggs O'Hara with whom Bolan made a trip to Paris in 1965. Given time to reinvent himself, after John's Children, Bolan's songwriting took off and he began writing many of the poetic and neo-romantic songs that appeared on his first albums with T. Rex.[9]
1967–1970: Tyrannosaurus Rex[edit]
Bolan left John's Children when, among other problems, the band's equipment had been repossessed by their label Track Records. Unperturbed, he rallied to create Tyrannosaurus Rex, his own rock band together with guitarist Ben Cartland, drummer Steve Peregrin Took and an unknown bass player. Napier-Bell recalled of Bolan: "He got a gig at the Electric Garden then put an ad in Melody Maker to get the musicians. The paper came out on Wednesday, the day of the gig. At three o'clock he was interviewing musicians, at five he was getting ready to go on stage.... It was a disaster. He just got booed off the stage."[9] Following this concert, Bolan pared the band down to just himself and Took, and they continued as a psychedelic-folk rock acoustic duo, playing Bolan's songs, with Took playing assorted hand and kit percussion and occasional bass to Bolan's acoustic guitars and voice. Napier-Bell said of Bolan that after the first disastrous electric gig, "He didn't have the courage to try it again; it really had been a blow to his ego... Later he told everyone he'd been forced into going acoustic because Track Records had repossessed all his gear. In fact he'd been forced to go acoustic because he was scared to do anything else."[9]
The original version of Tyrannosaurus Rex with Took released three albums; two reached the top fifteen in the UK Albums Chart. They also had a top 40 hit "Debora" in 1968. They were supported with airplay by BBC Radio 1 DJ John Peel.[19] One of the highlights of this era was when the duo played at the first free Hyde Park concert in 1968. Although the free-spirited, drug-taking Took was fired from the group after their first American tour, they were a force within the hippie underground scene while they lasted. Their music was filled with Bolan's otherworldly poetry. In 1969, Bolan published his first and only book of poetry entitled The Warlock of Love. Although some critics dismissed it as self-indulgence, it was full of Bolan's florid prose and wordplay, selling 40,000 copies and in 1969–70 became one of Britain's best-selling books of poetry.[20] It was reprinted in 1992 by the Tyrannosaurus Rex Appreciation Society.[21]
In keeping with his early rock and roll interests, Bolan began bringing amplified guitar lines into the duo's music, buying a white Fender Stratocaster decorated with a paisley teardrop motif from Syd Barrett. After replacing Took with Mickey Finn, he let the electric influences come forward even further on A Beard of Stars, the final album to be credited to Tyrannosaurus Rex. It closed with the song "Elemental Child", featuring a long electric guitar break influenced by Jimi Hendrix.[9]
Personal life[edit]
Bolan began his first serious romantic relationship, with Teresa Whipman, in 1965.[33] They broke up in 1968 when Bolan met June Ellen Child. The pair immediately fell in love and moved into a flat together after knowing each other for only a few days.[34]
They married on 30 January 1970.[35] She was a former secretary to his then managers, Blackhill Enterprises, also the managers of another of his heroes, Syd Barrett, who June had previously dated.[36] She was also influential in raising her new husband's profile in the music industry.[9] Bolan's relationship with June was tumultuous; he engaged in several affairs over the course of their marriage, including one with singer Marsha Hunt in 1969, and another with artist Barbara Nessim while recording in America in 1971.[37][38] The couple separated in 1973, after June found out about Bolan's affair with his backing singer Gloria Jones.[39] After Bolan's death, June revealed that she had abortions during their marriage because she believed Bolan was not mature enough to be a father.[40][41]
Bolan and Gloria Jones were in a committed romantic relationship from 1973 until he died in September 1977.[42]
The couple had a son together in September 1975 and the three of them lived together for nearly two years until Bolan's death. At the end of June 1976, June Bolan sued for divorce on the grounds of adultery, citing Gloria Jones as the third party. At the court hearing on 5 October 1976, Deputy Judge Donald Ellison declared: "I am satisfied that the husband committed adultery with the co-respondent, and that the wife finds it intolerable to live with him", and granted a decree nisi. Twelve months after that date, it was to become a decree absolute, thus severing the Bolans' matrimonial ties. "The facts are that she initially left me, and we just grew apart," Bolan explained after the ruling. "There were no great scenes, no smashing things up. It just suddenly happened one day. We weren't a couple anymore." He also used the opportunity to shed a little light on his sexuality. "Anyway, I'm gay," he only half-jested. "I can't say I was a latent homosexual – I was an early one. But sex was never a great problem. I'm a great screwer". Asked about the institution of marriage, he replied: "Gloria doesn't want to get married and neither do I. If I ever marry anyone again, I'll put in a clause that when it ends you're on your own – and that means financially, too."[43] During an interview in 1975 Bolan was also asked about his sexuality, and said that he was bisexual.[44]