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Music of Niger

The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.

Most traditions existed quite independently in French West Africa but have begun to form a mixture of styles since the 1960s. While Niger's popular music has had little international attention (in comparison with the music of neighbors Mali or Nigeria), traditional and new musical styles have flourished since the end of the 1980s.


The Hausa, who make up over half of the country's population, use the duma for percussion and the molo (a lute) in their Griot traditions, along with the Ganga, alghaïta (shawm) and kakaki (trumpet) for martial, state, and ceremonial occasions. These uses are typified by the ceremonial usage of large trumpets to mark the authority of the Sultanate of Damagaram in the southeast Zinder area (see Hausa music).


Over 20% of Niger's population are Zarma people, while the Tuareg and Fulani both number around a million in the early 21st century, somewhat less than 10% each. The Kanuri are just over 4% while the Toubou, Diffa and Gurma are all small populations of less than a half percent each.[1]


The Zarma inhabit the region around the capital, Niamey. They play, generally solo, a variety of lutes (xalam or molo), flutes and fiddles and, like the Fula, carry on the griot tradition of caste-based praise singers and musicians. Songhai traditional music was the topic of extensive study in the late colonial and early independence period.[2]


The Tuareg of the north are known for romantic, informal sung/spoken love poetry performed by both men and women, with voices accompanied by clapping, tinde drums (in women's songs) and a one-stringed viol (in men's songs) (see Tuareg music).


The Fula and Wodaabe, a nomadic desert subgroup of Fula, practise group singing accompanied by clapping, stamping and bells. The Wodaabe Gerewol festival is one example of this repeating, hypnotic and percussive choral tradition. The Beriberi too are known for complex polyphony singing. To get an overall understanding of traditional music and instruments in Niger visit the traditional instrument museum at the CFPM Taya in Niamey. An amazing collection of drums, string instruments and flutes from all tribes in Niger.

Bensignor, François. "Sounds of the Sahel". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 585–587. Rough Guides Ltd, Penguin Books.  1-85828-636-0

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Samuel Decalo. Historical Dictionary of Niger. Scarecrow Press, London and New Jersey (1979).  0-8108-1229-0

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Jolijn Geels. Niger. Bradt London and Globe Pequot New York (2006).  1-84162-152-8.

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provides a free playlist-based service of the music of Niger

NyZik

(in French) Musée d'ethnographie de Genève. Accessed November 25, 2010.

Audio clips: Traditional music of Niger.

: a Niamey-based Rap Nigerien label.

studio la source

FofoMag, a Nigerien entertainment magazine, with news and profiles on Rap Nigerien

: Niger Hip hop portal.

nigerime

. Reviewed by Peter Marsh. 20 November 2002.

BBC: Mamar Kassey Alatoumi

. Reviewed by Banning Eyre, 2001.

Afropop Worldwide: Mamar Kassey Alatoumi

: the Touareg/Wodaabe fusion band's website.

EtranFinatawa.com

. Includes links to videos by group and the official websites of the most successful Nigerien popular music groups].

Niger Popular music links, the-real-africa.com