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Nevermind

Nevermind is the second studio album by the American rock band Nirvana, released on September 24, 1991, by DGC Records. It was Nirvana's first release on a major label and the first to feature the drummer Dave Grohl. Produced by Butch Vig, Nevermind features a more polished, radio-friendly sound than the band's prior work.[4] It was recorded at Sound City Studios in Van Nuys, California, and Smart Studios in Madison, Wisconsin, in May and June 1991, and mastered that August at the Mastering Lab in Hollywood, California.

This article is about the album by Nirvana. For other uses, see Nevermind (disambiguation).

Nevermind

September 24, 1991 (1991-09-24)

May 2–28, 1991[1][2]
June 1–9, 1991 (mixing)[3]
April 1990 ("Polly")

42:36 (49:07 with hidden track)

Written primarily by the singer Kurt Cobain, Nevermind is noted for channeling a range of emotions, being noted as dark, humorous, and disturbing. It includes anti-establishment views, anti-sexism, frustration, alienation, and troubled love inspired by Cobain's broken relationship with Bikini Kill's Tobi Vail. Contrary to the popular hedonistic themes of drugs and sex at the time, writers have observed that Nevermind promoted the image of the sensitive artist in mainstream rock.[5] According to Cobain, the sound of the album was influenced by bands such as Pixies, R.E.M., the Smithereens, and Melvins. Though the album is considered a cornerstone of the grunge genre, it is noted for its musical diversity, which includes acoustic ballads ("Polly" and "Something in the Way") and punk-inspired hard rock ("Territorial Pissings" and "Stay Away").[6]


Nevermind became an unexpected critical and commercial success, reaching the top 10 on charts across the world. By January 1992, it reached number one on the US Billboard 200 and was selling approximately 300,000 copies a week. The lead single, "Smells Like Teen Spirit", reached the top 10 of the US Billboard Hot 100 and went on to be inducted into the Grammy Hall of Fame. Its music video was also heavily rotated on MTV. Three other successful singles were released: "Come as You Are", "Lithium", and "In Bloom". The album was voted the best album of the year in Pazz & Jop critics' poll, while "Smells Like Teen Spirit" also topped the single-of-the-year and video-of-the-year polls. The album also garnered the band three Grammy Award nominations in total across the 34th and 35th Grammy Awards, including Best Alternative Music Album.


Nevermind made Nirvana one of the biggest bands of the 1990s, with Cobain being dubbed the "voice of his generation". It brought grunge and alternative rock to a mainstream audience while accelerating the decline of hair metal, drawing similarities to the early 1960s British Invasion of American popular music. It is also often credited with initiating a resurgence of interest in punk culture among teenagers and young adults of Generation X, becoming seminal to the counterculture of the decade. It has sold more than 30 million copies worldwide, making it one of the best-selling albums of all time. In March 1999, it was certified Diamond by the Recording Industry Association of America (RIAA). Among the most acclaimed and influential albums in the history of music, Nevermind was added by the Library of Congress to the National Recording Registry in 2004 for being "culturally, historically, or aesthetically significant", and is frequently ranked highly on lists of the greatest albums of all time, including being ranked number six on Rolling Stone's 2020 and 2023 lists of the "500 Greatest Albums of All Time". The album has since been reissued with alternate takes and live performances.

Background and early sessions[edit]

In early 1990, Nirvana began planning their second album for their record company Sub Pop, tentatively titled Sheep. At the suggestion of Sub Pop head Bruce Pavitt, Nirvana selected Butch Vig as producer.[7] The band particularly liked Vig's work with Killdozer.[8] They traveled to Vig's Smart Studios in Madison, Wisconsin, and recorded from April 2 to 6, 1990.[9] Most of the basic arrangements were complete, but the songwriter Kurt Cobain was still working on lyrics and the band was unsure of which songs to record.[10] Ultimately, eight were recorded, some of which appeared on Nevermind: "Imodium" (later renamed "Breed"), "Dive" (later released as the B-side to "Sliver"), "In Bloom", "Pay to Play" (later renamed "Stay Away"), "Sappy", "Lithium", "Here She Comes Now" (released on Heaven & Hell: A Tribute to the Velvet Underground), and "Polly".[11]


On April 6, Nirvana played a local show in Madison with the Seattle band Tad.[12] Vig began to mix the recordings while the band gave an interview to Madison's community radio station WORT on April 7.[13] Cobain strained his voice, forcing Nirvana to end the recording. On April 8, they travelled to Milwaukee to begin an extensive midwest and east coast tour of 24 shows in 39 days.[14]


The drummer Chad Channing left after the tour, putting additional recording on hold.[15] During a show by the hardcore punk band Scream, Cobain and the bassist Krist Novoselic were impressed by their drummer Dave Grohl. When Scream unexpectedly disbanded, Grohl contacted Novoselic, travelled to Seattle, and was invited to join the band. Novoselic said in retrospect that, with Grohl, everything "fell into place".[7]


By the 1990s, Sub Pop was having financial problems. With rumors that they would become a subsidiary of a major record label, Nirvana decided to "cut out the middleman" and look for a major record label.[7] Nirvana used the recordings as a demo tape to shop for a new label. Within a few months, the tape was circulating amongst major labels.[15] A number of labels courted them; Nirvana signed with Geffen Records imprint DGC Records based on recommendations from Kim Gordon of Sonic Youth and their management company.[16]


After Nirvana signed to DGC, a number of producers were suggested, including Scott Litt, David Briggs, Don Dixon, and Bob Mould.[17] Novoselic said the band had been nervous about recording under a major label, and the producers suggested by DGC wanted percentage points. Instead, the band held out for Vig, with whom they felt comfortable collaborating.[18]

Release[edit]

Nevermind was released on September 24, 1991. American record stores received an initial shipment of 46,251 copies,[71] while 35,000 copies were shipped in the United Kingdom, where Bleach had been successful.[72] The lead single "Smells Like Teen Spirit" had been released on September 10 with the intention of building a base among alternative rock fans, while the next single "Come as You Are" would possibly garner more attention.[73] Days before the release date, the band began a short American tour in support of the album. Geffen hoped that Nevermind would sell around 250,000 copies, matching sales of Sonic Youth's Geffen debut Goo.[74] The most optimistic estimate was that Nevermind could be certified gold (500,000 copies sold) by September 1992.[75]


Nevermind debuted on the Billboard 200 at number 144.[76] Geffen shipped about half of the initial U.S. pressing to the American Northwest, where it sold out quickly and was unavailable for days. Geffen put production of all other albums on hold to fulfill demand in the region.[77] Over the next few months, sales increased significantly as "Smells Like Teen Spirit" unexpectedly increased in popularity. The song's video had received a world premiere on MTV's late-night alternative show 120 Minutes, and soon became popular enough for the network to start broadcasting it during the daytime.[78] "Smells Like Teen Spirit" reached number six on the US Billboard Hot 100.[79] The album was soon certified gold, but the band was relatively uninterested. Novoselic recalled, "Yeah I was happy about it. It was pretty cool. It was kind of neat. But I don't give a shit about some kind of achievement like that. It's cool—I guess."[80]


As the band set out for their European tour at the start of November 1991, Nevermind entered the Billboard Top 40 for the first time at number 35. By this point, "Smells Like Teen Spirit" had become a hit and the album was selling so fast none of Geffen's marketing strategies could be enacted. Geffen president Ed Rosenblatt told The New York Times, "We didn't do anything. It was just one of those 'Get out of the way and duck' records."[81] Nirvana found as they toured Europe during the end of 1991 that the shows were dangerously oversold, television crews became a constant presence onstage, and "Smells Like Teen Spirit" was almost omnipresent on radio and music television.[82]


Nevermind became Nirvana's first number-one album on January 11, 1992, replacing Michael Jackson's Dangerous at the top of the Billboard charts. By this time, Nevermind was selling approximately 300,000 copies a week.[83][84] It returned for a second week at number one in February.[85] "Come as You Are" was released as the second single in March 1992; it reached number nine on the UK Singles Chart and number 32 on the Billboard Hot 100 singles chart.[86] Two more singles, "Lithium" and "In Bloom", reached number 11 and 28 on the UK Singles Chart.[87]


Nevermind was certified gold and platinum by the Recording Industry Association of America (RIAA) in November 1991 and certified Diamond in March 1999.[88] It was also certified Diamond in Canada (1,000,000 units sold) by the Canadian Recording Industry Association in March 2001[89] and six times platinum in the United Kingdom.[90] It has gone on to sell more than 30 million copies worldwide, making it one of the best-selling albums of all time.[91]

1991 in music

Album era

Classic Albums: Nirvana – Nevermind

Nevermind It's an Interview

List of best-selling albums

List of best-selling albums in Belgium

List of best-selling albums in France

List of best-selling albums in the United States

List of Billboard 200 number-one albums of 1992

List of diamond-certified albums in Canada

List of 200 Definitive Albums in the Rock and Roll Hall of Fame

Classic Albums—Nirvana: Nevermind [DVD]. Isis Productions, 2004.

Azerrad, Michael. Come as You Are: The Story of Nirvana. Doubleday, 1993.  0-385-47199-8

ISBN

Berkenstadt, Jim; Cross, Charles. Classic Rock Albums: Nevermind. Schirmer, 1998.  0-02-864775-0

ISBN

Cross, Charles. Heavier Than Heaven: A Biography of Kurt Cobain. Hyperion, 2001.  0-7868-8402-9

ISBN

Sandford, Christopher. Kurt Cobain. Carroll & Graff, 1995.  0-7867-1369-0

ISBN

at Discogs (list of releases)

Nevermind

at YouTube (streamed copy where licensed)

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at MusicBrainz (list of releases)

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