Katana VentraIP

Nyckelharpa

Stemming from Sweden, the nyckelharpa (Swedish: [ˈnʏ̂kːɛlˌharːpa], plural nyckelharpor), meaning "keyed fiddle" or "key harp"(lit.), is a bowed chordophone, similar in appearance to a fiddle or violin but larger (in its earlier forms essentially a modified vielle), which employs key-actuated tangents along the neck to change the pitch during play, much like a hurdy-gurdy. The keys slide under the strings, with the tangents set perpendicularly to the keys, reaching above the strings. Upon key-actuation, the tangent is pressed to meet the corresponding string, much like a fret, shortening its vibrating length to that point, changing the pitch of the string.[2][3] It is primarily played underarm, suspended from the shoulder using a sling, with the bow in the overhanging arm.

String instrument

key harp
Danish: nøgleharpe ("key harp")
Finnish: avainviulu ("key violin")
German: Schlüsselfidel ("key vielle")
Italian: viola a chiavi ("keyed viola")
Polish: fiddle klawiszowe ("keyboard fiddle")[1]
Spanish: viola de teclas ("keyed violin")

12th century

2023 (18th session)

Good Safeguarding Practices

The origin of the instrument is unknown, but its historical foothold and modern development is much larger in Sweden than other countries. Many of the early historical depictions of the instrument are found in Sweden, the earliest possibly depiction found on a relief located on a 14th century church portal. While historically not too common of an instrument in Sweden (relatively speaking), the violin outshining it in usage among spelmän (players of Swedish folk music), the nyckelharpa became a popular folk instrument in the Swedish province of Uppland during the 17th century, subsequently leading to its popularization and spread throughout Sweden the following centuries. By the 19th century it had become a "fine" instrument, being played at concerts in Stockholm,[4] and by the early 20th century it had become an archetypal instrument alongside the violin for Swedish folk music. Today it is considered by many to be the quintessential national instrument of Sweden.[5] The oldest surviving nyckelharpa is dated 1526 and is part of the Zorn Collections in Mora Municipality, Sweden.[4]


Besides Sweden, early depictions of nyckelharpor can also be found in Denmark, Germany and Italy, among other European countries. The earliest of these is found in a 1408 fresco by Taddeo di Bartolo at the Palazzo Pubblico chapel in Siena, Italy, which depicts an angel playing a "keyed viola". Recently there has been a push by luthiers and the like to make recreations of these older depictions of nyckelharpor, akin to reconstructional archaeology,[6] but also new instruments based on the nyckelharpa concept of a keyed bow instrument.[7]

Angel with nyckelharpa, fresco in the church at Tolfa, Tierp Municipality, Uppland, Sweden. Unknown painter, 1503.

Angel with nyckelharpa, fresco in the church at Tolfa, Tierp Municipality, Uppland, Sweden. Unknown painter, 1503.

Angel with nyckelharpa, fresco in the church at Tolfa, Tierp Municipality, Uppland, Sweden. Unknown painter, 1503.

Angel with nyckelharpa, fresco in the church at Tolfa, Tierp Municipality, Uppland, Sweden. Unknown painter, 1503.

Angel with nyckelharpa, fresco in the Rynkeby church, Denmark. Unknown painter, ca. 1560.

Angel with nyckelharpa, fresco in the Rynkeby church, Denmark. Unknown painter, ca. 1560.

Kromatisk nyckelharpa (" key harp") – most predominant type of nyckelharpa. The three-row so-called "chromatic nyckelharpa", with the melody strings tuned A1 – C1 – G, a drone C (from the highest to the lowest string) that is only touched occasionally, and 12 resonance strings (one for each step of the chromatic scale).

chromatic

Kontrabasharpa ("double bass harp") – most popular during the 17th and 18th centuries. Typically the top has a high arch, and there are two oval-shaped soundholes in the lower bout called oxögon. The name "Kontrabasharpa" refers not to the pitch being any deeper than a standard nyckelharpa's (it isn't), but to the unstopped which always resonates below the melody strings during regular play. The two melody strings are set up on either side of the drone string, such that melodies can be played as double stops between a single melody string and the open drone string without the two melody strings ever clashing.

drone string

Silverbasharpa ("silver base harp") – most popular in the 19th and early 20th centuries, so named because of the bass strings which are traditionally wound with silver. It is the immediate predecessor to the modern nyckelharpa, and the string configuration is identical, however it retains the older top with a more pronounced arch as well as the two oxögon. The main difference is that only the top two strings are stopped, meaning that the bottom C and G strings cannot play any other notes, and so nearly all of its repertoire is in the key of C. In addition, some silverbasharpor may be diatonic and not chromatic, and some keys may stop both melody strings at once.

[21]

Oktavharpa ("octave harp") – invented by Lennart and Johan Hedin in 1996. It is essentially a modern three-row nyckelharpa tuned an octave down, almost identical to a cello. It is the lowest-pitched variant of the nyckelharpa.

Schlüsselfidel at the "Knochenhaueramtshaus", Hildesheim, Germany, 1529

Schlüsselfidel at the "Knochenhaueramtshaus", Hildesheim, Germany, 1529

Bronwyn Bird, member of Blue Moose, plays the nyckelharpa at a concert in 2007. Photo by Georgie Grd.

Bronwyn Bird, member of Blue Moose, plays the nyckelharpa at a concert in 2007. Photo by Georgie Grd.

Marco Ambrosini at Burg Fürsteneck, Germany, playing a nyckelharpa built by Annette Osann

Marco Ambrosini at Burg Fürsteneck, Germany, playing a nyckelharpa built by Annette Osann

Didier François teaching his special technique at the International Days of the Nyckelharpa at Burg Fürsteneck, 2005

Didier François teaching his special technique at the International Days of the Nyckelharpa at Burg Fürsteneck, 2005

Mia Gundberg Ådin (Huldrelokkk) playing the Nyckelharpa at the music festival Bardentreffen in Nuremberg, 2015

Mia Gundberg Ådin (Huldrelokkk) playing the Nyckelharpa at the music festival Bardentreffen in Nuremberg, 2015

Gunner Ahbäck; Gunner Fredelius. . nyckelharpansforum.net (in Swedish). Archived from the original on 2003-06-26. Retrieved 2023-06-26.

"Different typologies for the nyckelharpa, typologies and terminologies in short (Olika typologier för nyckelharpan, typologier och terminologi i korta drag)"

Gunnar Ahlbäck; Gunnar Fredelius. (in Swedish). nyckelharpansforum.net. Retrieved 2023-06-26.

"Nyckelharpans typologi"

.

"Nyckelharpa History"

.

"Nyckelharpa – olov johansson"

Hardanger fiddle

Hurdy-gurdy

Music of Sweden

Moraharpa

. The American Nyckelharpa Association.

"home"

.

"International Days of the Nyckelharpa at BURG FÜRSTENECK (Germany) – workshop, concert, conference, exhibition, seminar and exchange of experience"

. www.nyckelharpa.eu.

"Nyckelharpa in Europe – The European Nyckelharpa Cooperation"

on YouTube

Kornel Mariusz Radwanski plays The Alchemist's Dance on nyckelharpa with James Kline on archharp-guitar

.Nyckelharpa Workshops and Teaching in the UK

"The Nyckelharpa Effect – Virtual and in Real life Nyckelharpa Learning"

on YouTube

What is a Nyckelharpa?