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Perfume

Perfume (UK: /ˈpɜːfjm/, US: /pərˈfjm/; French: parfum) is a mixture of fragrant essential oils or aroma compounds (fragrances), fixatives and solvents, usually in liquid form, used to give the human body, animals, food, objects, and living-spaces an agreeable scent.[1] Perfumes can be defined as substances that emit and diffuse a pleasant and fragrant odor. They consist of manmade mixtures of aromatic chemicals and essential oils. The 1939 Nobel Laureate for Chemistry, Leopold Ružička stated in 1945 that "right from the earliest days of scientific chemistry up to the present time, perfumes have substantially contributed to the development of organic chemistry as regards methods, systematic classification, and theory."[2]

This article is about the fragrant substance. For other uses, see Perfume (disambiguation).

Ancient texts and archaeological excavations show the use of perfumes in some of the earliest human civilizations. Modern perfumery began in the late 19th century with the commercial synthesis of aroma compounds such as vanillin or coumarin, which allowed for the composition of perfumes with smells previously unattainable solely from natural aromatics.

Ancient Egyptian perfume vase in shape of an amphoriskos; 664–630 BC; glass: 8 × 4 cm (3.1 × 1.5  in); Metropolitan Museum of Art (New York City)

Ancient Egyptian perfume vase in shape of an amphoriskos; 664–630 BC; glass: 8 × 4 cm (3.1 × 1.5  in); Metropolitan Museum of Art (New York City)

Ancient Greek perfume bottle in shape of an athlete binding a victory ribbon around his head; circa 540s BC; Ancient Agora Museum (Athens)

Ancient Greek perfume bottle in shape of an athlete binding a victory ribbon around his head; circa 540s BC; Ancient Agora Museum (Athens)

Etruscan perfume vase, which is inscribed the word "suthina" ("for the tomb"); early 2nd century BC; bronze; height: 16 cm; Louvre

Etruscan perfume vase, which is inscribed the word "suthina" ("for the tomb"); early 2nd century BC; bronze; height: 16 cm; Louvre

Late Hellenistic glass gold-band mosaic alabastron (perfume bottle); 1st century BC; glass and gold leaf; Metropolitan Museum of Art

Late Hellenistic glass gold-band mosaic alabastron (perfume bottle); 1st century BC; glass and gold leaf; Metropolitan Museum of Art

Roman perfume bottle; 1st century AD; glass; 5.2 x 3.8 cm; Metropolitan Museum of Art

Roman perfume bottle; 1st century AD; glass; 5.2 x 3.8 cm; Metropolitan Museum of Art

Partially broken perfume amphora; 2nd century AD; glass; from Ephesus; Ephesus Archaeological Museum (Selçuk, Turkey)

Partially broken perfume amphora; 2nd century AD; glass; from Ephesus; Ephesus Archaeological Museum (Selçuk, Turkey)

British Rococo perfume vase; circa 1761; soft-paste porcelain; overall: 43.2 × 29.2 × 17.8 cm; Metropolitan Museum of Art

British Rococo perfume vase; circa 1761; soft-paste porcelain; overall: 43.2 × 29.2 × 17.8 cm; Metropolitan Museum of Art

British Neoclassical pair of perfume burners; probably circa 1770; derbyshire spar, tortoiseshell, and wood, Carrara marble base, gilded brass mounts, gilded copper liner; 33 × 14.3 × 14.3 cm; Metropolitan Museum of Art

British Neoclassical pair of perfume burners; probably circa 1770; derbyshire spar, tortoiseshell, and wood, Carrara marble base, gilded brass mounts, gilded copper liner; 33 × 14.3 × 14.3 cm; Metropolitan Museum of Art

Art Nouveau perfume bottle; circa 1900; glass with gilt metal cover; overall: 13.4 cm; Cleveland Museum of Art (Cleveland, Ohio, USA)

Art Nouveau perfume bottle; circa 1900; glass with gilt metal cover; overall: 13.4 cm; Cleveland Museum of Art (Cleveland, Ohio, USA)

The word perfume is derived from the Latin perfumare, meaning "to smoke through".[3] Perfumery, as the art of making perfumes, began in ancient Mesopotamia, Egypt, the Indus Valley civilization and possibly Ancient China.[4] It was further refined by the Romans and the Muslims.


One of the world's first-recorded chemists is considered to be a woman named Tapputi, a perfume maker mentioned in a cuneiform tablet from the 2nd millennium BC in Mesopotamia.[5] She distilled flowers, oil, and calamus with other aromatics, then filtered and put them back in the still several times.[6]


On the Indian subcontinent, perfume and perfumery existed in the Indus civilization (3300 BC – 1300 BC).[7]


In 2003,[8] archaeologists uncovered what are believed to be the world's oldest surviving perfumes in Pyrgos, Cyprus. The perfumes dated back more than 4,000 years. They were discovered in an ancient perfumery, a 300-square-meter (3,230 sq ft) factory[8] housing at least 60 stills, mixing bowls, funnels, and perfume bottles. In ancient times people used herbs and spices, such as almond, coriander, myrtle, conifer resin, and bergamot, as well as flowers.[9] In May 2018, an ancient perfume "Rodo" (Rose) was recreated for the Greek National Archaeological Museum's anniversary show "Countless Aspects of Beauty", allowing visitors to approach antiquity through their olfaction receptors.[10]


In the 9th century the Arab chemist Al-Kindi (Alkindus) wrote the Book of the Chemistry of Perfume and Distillations, which contained more than a hundred recipes for fragrant oils, salves, aromatic waters, and substitutes or imitations of costly drugs. The book also described 107 methods and recipes for perfume-making and perfume-making equipment, such as the alembic (which still bears its Arabic name.[11][12] [from Greek ἄμβιξ, "cup", "beaker"][13][14] described by Synesius in the 4th century[15]).


The Persian chemist Ibn Sina (also known as Avicenna) introduced the process of extracting oils from flowers by means of distillation, the procedure most commonly used today. He first experimented with the rose. Until his discovery, liquid perfumes consisted of mixtures of oil and crushed herbs or petals, which made a strong blend. Rose water was more delicate, and immediately became popular. Both the raw ingredients and the distillation technology significantly influenced western perfumery and scientific developments, particularly chemistry.


There is a controversy on whether perfumery was completely lost in Western Europe after the fall of the Western Roman Empire. That said, the art of perfumery in Western Europe was reinvigorated after the Islamic invasion of Spain and Southern Italy in 711 and 827. The Islamic controlled cities of Spain (Al-Andalus) became major producers of perfumes that were traded throughout the Old World. Like in the ancient world, Andalusians used fragrance in devotion to God. Perfumes added a layer of cleanliness that was needed for their devotion. Andalusian women were also offered greater freedoms than women in other Muslim controlled regions and were allowed to leave their homes and socialize outside. This freedom allowed courtship to occur outside of the home. As a result, Andalusian women used perfumes for courtship.[16]


Recipes of perfumes from the monks of Santa Maria Delle Vigne or Santa Maria Novella of Florence, Italy, were recorded from 1221.[17] In the east, the Hungarians produced around 1370 a perfume made of scented oils blended in an alcohol solution – best known as Hungary Water – at the behest of Queen Elizabeth of Hungary.[18][19][20] The art of perfumery prospered in Renaissance Italy, and in the 16th century the personal perfumer to Catherine de' Medici (1519–1589), René the Florentine (Renato il fiorentino), took Italian refinements to France. His laboratory was connected with her apartments by a secret passageway, so that no formulae could be stolen en route. Thanks to Rene, France quickly became one of the European centers of perfume and cosmetics manufacture. Cultivation of flowers for their perfume essence, which had begun in the 14th century, grew into a major industry in the south of France.


Between the 16th and 17th centuries, perfumes were used primarily by the wealthy to mask body odors resulting from infrequent bathing.[21] In 1693, Italian barber Giovanni Paolo Feminis created a perfume water called Aqua Admirabilis,[22] today best known as eau de cologne; his nephew Johann Maria Farina (Giovanni Maria Farina) took over the business in 1732.[23][24]


By the 18th century the Grasse region of France, Sicily, and Calabria (in Italy) were growing aromatic plants to provide the growing perfume industry with raw materials. Even today, Italy and France remain the center of European perfume design and trade.

Parfum or extrait (P): 15–40% aromatic compounds (: typically ~20%). In English, parfum is also known as perfume extract, pure perfume, or simply perfume.

IFRA

Esprit de parfum (ESdP): 15–30% aromatic compounds, a seldom used strength concentration between EdP and parfum.

Eau de parfum (EdP) or parfum de toilette (PdT): 10–20% aromatic compounds (typically ~15%). It is sometimes called "eau de perfume" or "millésime." Parfum de toilette is a less common term, most popular in the 1980s, that is generally analogous to eau de parfum.

(EdT): 5–15% aromatic compounds (typically ~10%). This is the staple for most masculine perfumes.

Eau de toilette

(EdC): 3–8% aromatic compounds (typically ~5%). This concentration is often simply called cologne.

Eau de cologne

Eau fraîche: 3% or less aromatic compounds. This general term encompasses products sold as "splashes," "mists," "veils" and other imprecise terms. Such products may be diluted with water rather than oil or alcohol.

[25]

Top notes: Also called the head notes. The scents that are perceived immediately on application of a perfume. Top notes consist of small, light molecules that evaporate quickly. They form a person's initial impression of a perfume and thus are very important in the selling of a perfume. Examples of top notes include mint, lavender and coriander.

Middle notes: Also referred to as heart notes. The scent of a perfume that emerges just prior to the dissipation of the top note. The middle note compounds form the "heart" or main body of a perfume and act to mask the often unpleasant initial impression of base notes, which become more pleasant with time. Examples of middle notes include seawater, sandalwood and jasmine.

Base notes: The scent of a perfume that appears close to the departure of the middle notes. The base and middle notes together are the main theme of a perfume. Base notes bring depth and solidity to a perfume. Compounds of this class of scents are typically rich and "deep" and are usually not perceived until 30 minutes after application. Examples of base notes include tobacco, amber and musk.

: Commonly used barks include cinnamon and cascarilla. The fragrant oil in sassafras root bark is also used either directly or purified for its main constituent, safrole, which is used in the synthesis of other fragrant compounds.[39]

Bark

and blossoms: Undoubtedly the largest and most common source of perfume aromatics. Includes the flowers of several species of rose and jasmine, as well as osmanthus, plumeria, mimosa, tuberose, narcissus, scented geranium, cassie, ambrette as well as the blossoms of citrus and ylang-ylang trees. Although not traditionally thought of as a flower, the unopened flower buds of the clove are also commonly used. Most orchid flowers are not commercially used to produce essential oils or absolutes, except in the case of vanilla, an orchid, which must be pollinated first and made into seed pods before use in perfumery.

Flowers

: Fresh fruits such as apples, strawberries, cherries rarely yield the expected odors when extracted; if such fragrance notes are found in a perfume, they are more likely to be of synthetic origin. Notable exceptions include blackcurrant leaf, litsea cubeba, vanilla, and juniper berry. The most commonly used fruits yield their aromatics from the rind; they include citrus such as oranges, lemons, and limes. Although grapefruit rind is still used for aromatics, more and more commercially used grapefruit aromatics are artificially synthesized since the natural aromatic contains sulfur and its degradation product is quite unpleasant in smell.

Fruits

and twigs: Commonly used for perfumery are lavender leaf, patchouli, sage, violets, rosemary, and citrus leaves. Sometimes leaves are valued for the "green" smell they bring to perfumes, examples of this include hay and tomato leaf.

Leaves

: Valued since antiquity, resins have been widely used in incense and perfumery. Highly fragrant and antiseptic resins and resin-containing perfumes have been used by many cultures as medicines for a large variety of ailments. Commonly used resins in perfumery include labdanum, frankincense/olibanum, myrrh, balsam of Peru, benzoin. Pine and fir resins are a particularly valued source of terpenes used in the organic synthesis of many other synthetic or naturally occurring aromatic compounds. Some of what is called amber and copal in perfumery today is the resinous secretion of fossil conifers.

Resins

, rhizomes and bulbs: Commonly used terrestrial portions in perfumery include iris rhizomes, vetiver roots, various rhizomes of the ginger family.

Roots

: Commonly used seeds include tonka bean, carrot seed, coriander, caraway, cocoa, nutmeg, mace, cardamom, and anise.

Seeds

: Highly important in providing the base notes to a perfume, wood oils and distillates are indispensable in perfumery. Commonly used woods include sandalwood, rosewood, agarwood, birch, cedar, juniper, and pine. These are used in the form of macerations or dry-distilled (rectified) forms.

Woods

Rom . Orchid scents

terpenes

Maceration/Solvent extraction

: A common technique for obtaining aromatic compounds from plants, such as orange blossoms and roses. The raw material is heated and the fragrant compounds are re-collected through condensation of the distilled vapor.

Distillation

Before perfumes can be composed, the odorants used in various perfume compositions must first be obtained. Synthetic odorants are produced through organic synthesis and purified. Odorants from natural sources require the use of various methods to extract the aromatics from the raw materials. The results of the extraction are either essential oils, absolutes, concretes, or butters, depending on the amount of waxes in the extracted product.[44]


All these techniques will, to a certain extent, distort the odor of the aromatic compounds obtained from the raw materials. This is due to the use of heat, harsh solvents, or through exposure to oxygen in the extraction process which will denature the aromatic compounds, which either change their odor character or renders them odorless.

: Fragrant materials that are purified from a pommade or concrete by soaking them in ethanol. By using a slightly hydrophilic compound such as ethanol, most of the fragrant compounds from the waxy source materials can be extracted without dissolving any of the fragrantless waxy molecules. Absolutes are usually found in the form of an oily liquid.

Absolute

: Fragrant materials that have been extracted from raw materials through solvent extraction using volatile hydrocarbons. Concretes usually contain a large amount of wax due to the ease in which the solvents dissolve various hydrophobic compounds. As such concretes are usually further purified through distillation or ethanol based solvent extraction. Concretes are typically either waxy or resinous solids or thick oily liquids.

Concrete

: Fragrant materials that have been extracted from a source material directly through distillation or expression and obtained in the form of an oily liquid. Oils extracted through expression are sometimes called expression oils.

Essential oil

Pomade: A fragrant mass of solid fat created from the process, in which odorous compounds in raw materials are adsorbed into animal fats. Pommades are found in the form of an oily and sticky solid.

enfleurage

: Fragrant materials produced by directly soaking and infusing raw materials in ethanol. Tinctures are typically thin liquids.[34]

Tincture

Although fragrant extracts are known to the general public as the generic term "essential oils", a more specific language is used in the fragrance industry to describe the source, purity, and technique used to obtain a particular fragrant extract. Of these extracts, only absolutes, essential oils, and tinctures are directly used to formulate perfumes.


Products from different extraction methods are known under different names even though their starting materials are the same. For instance, orange blossoms from Citrus aurantium that have undergone solvent extraction produces "orange blossom absolute" but that which have been steam distilled is known as "neroli oil".

Primary scents (Heart): Can consist of one or a few main ingredients for a certain concept, such as "rose". Alternatively, multiple ingredients can be used together to create an "abstract" primary scent that does not bear a resemblance to a natural ingredient. For instance, jasmine and rose scents are commonly blends for abstract floral fragrances. flavourant is a good example of an abstract primary scent.

Cola

Modifiers: These ingredients alter the primary scent to give the perfume a certain desired character: for instance, fruit may be included in a floral primary to create a fruity floral; calone and citrus scents can be added to create a "fresher" floral. The cherry scent in cherry cola can be considered a modifier.

esters

Blenders: A large group of ingredients that smooth out the transitions of a perfume between different "layers" or bases. These themselves can be used as a major component of the primary scent. Common blending ingredients include and hydroxycitronellal.

linalool

Fixatives: Used to support the primary scent by bolstering it. Many resins, wood scents, and amber bases are used as fixatives.

Odor

Pheromone

Eau de toilette

Eau de Cologne

Essential oil

Aromatherapy

Fragrance companies

Fragrance Museum

 – Mixture of dried flowers and other naturally fragrant plant material

Potpourri

 – Ball or container of herbs and perfumes

Pomander

 – lamp that disperses scented alcohol using a heated stone attached to a cotton wick

Fragrance lamp

Burr, Chandler (2004). "The Emperor of Scent: A True Story of Perfume and Obsession" Random House Publishing.  978-0-375-75981-9

ISBN

Edwards, Michael (1997). "Perfume Legends: French Feminine Fragrances". Crescent House Publishing.  0-646-27794-4.

ISBN

Ellena, Jean-Claude (2022) [2020 Flammarion, Paris]. [Atlas de botanique parfumée]. Translated by Erik Butler. Cambridge: MIT Press. ISBN 978-0-262-04673-2.

Atlas of Perfumed Botany

Klymentiev, Maksym. "Creating Spices for the Mind: The Origins of Modern Western Perfumery". The Senses and Society. Vol. 9, 2014, issue 2.

Moran, Jan (2000). "Fabulous Fragrances II: A Guide to Prestige Perfumes for Women and Men". Crescent House Publishing.  0-9639065-4-2.

ISBN

Turin, Luca (2006). "The Secret of Scent". Faber & Faber.  0-571-21537-8.

ISBN

Stamelman, Richard: "Perfume – Joy, Obsession, Scandal, Sin". Rizzoli.  978-0-8478-2832-6. A cultural history of fragrance from 1750 to the present day.

ISBN

Süskind, Patrick (2006). "Perfume: The Story of a Murderer". Vintage Publishing (English edition).  978-0-307-27776-3. A novel of perfume, obsession and serial murder. Also released as a movie with same name in 2006.

ISBN

Media related to Perfumes at Wikimedia Commons

: International Fragrance Association

IFRA

"FiFi"

The Fragrance Foundation

The British Society of Perfumers