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Plácido Domingo

José Plácido Domingo Embil[a] (born 21 January 1941)[1] is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation.[2][3][4] In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles.[5][6]

In this Spanish name, the first or paternal surname is Domingo and the second or maternal family name is Embil.

Plácido Domingo

José Plácido Domingo Embil

(1941-01-21) 21 January 1941

1957–present

Ana María Guerra Cué
(m. 1957; div. 1958)
(m. 1962)

3, including Plácido Jr.

Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum and multi-platinum. His first pop album, Perhaps Love (1981), spread his fame beyond the opera world. The title song, performed as a duet with country and folk singer John Denver, has sold almost four million copies[7] and helped lead to numerous television appearances for the tenor. He also starred in many cinematically released and televised opera movies, particularly under the direction of Franco Zeffirelli. In 1990, he began singing with fellow tenors Luciano Pavarotti and José Carreras as part of The Three Tenors. The first Three Tenors recording became the best-selling classical album of all time.[8][9]


Growing up working in his parents' zarzuela company in Mexico, Domingo has since regularly promoted this form of Spanish opera. He also increasingly conducts operas and concerts and was the general director of the Los Angeles Opera in California from 2017 to 2019.[10][11] He was initially the artistic director and later general director of the Washington National Opera from 1996 to 2011. He has been involved in numerous humanitarian works, as well as efforts to help young opera singers, including starting and running the international singing competition, Operalia. In the years 2019-2021 he has performed continuously on stages in Berlin, Budapest, Cologne, Graz, Madrid, Mérida, Milan, Monte Carlo, Moscow, Munich, Palermo, Rome, Salzburg, Sofia, Verona, Versailles, Vienna and Zurich.

Sexual harassment allegations[edit]

In August 2019, Domingo was accused of sexual harassment by multiple female colleagues, some dating back as far as 30 years. However, no official charges were ever filed, nor were there any court proceedings or convictions. Nonetheless, Domingo subsequently resigned from his position as general manager of the Los Angeles Opera, saying he did so with a "heavy heart", but in light of the recent allegations against him, he said the move was in the best interest for the opera company.[86]


In late February 2020, Domingo apologized to any colleagues who felt uncomfortable or in any way hurt by his comments or actions. He reiterated that it was never his intention to hurt or offend anyone, saying, "I have never behaved aggressively toward anyone, and I have never done anything to hinder or harm anyone's career in any way. On the contrary, I have spent much of my half-century in the opera world supporting the industry and furthering the careers of countless singers."[87]


The investigation launched by the Los Angeles Opera into the incidents at the house "deemed the allegations to be credible, in part because of the similarities in their accounts". The investigation "often found him to be sincere in his denials but found some of them to be less credible or lacking in awareness". The investigation criticized inadequate communication and lack of awareness about sexual harassment at the opera.[88]


In his first interview since recovering from COVID-19, Domingo told the Italian newspaper La Repubblica that the charges were false. "When I knew that I had COVID, I promised myself that if I came out alive, I would fight to clear my name", Domingo said. "I never abused anyone. I will repeat that as long as I live."[89]

Bust of Plácido Domingo

Category:Plácido Domingo albums

List of best-selling Latin music artists

Amón, Rubén (2011). Plácido Domingo: Un coloso en el teatro del mundo (in Spanish). Barcelona: Planeta.  978-8408099192.

ISBN

Domingo, Plácido (1983). My First Forty Years. New York: Knopf.  0-394-52329-6.

ISBN

Matheopoulos, Helena; Domingo, Plácido (2003). (2nd ed.). Fort Worth, TX: Baskerville Publishers. ISBN 1-880909-61-8.

Placido Domingo: My Operatic Roles

(2006). Washington National Opera 1956–2006. Washington, D.C.: Washington National Opera. ISBN 0-9777037-0-3.

Phillips-Matz, Mary Jane

Snowman, Daniel (1985). . New York: McGraw-Hill. ISBN 0-07-059527-5.

The World of Plácido Domingo

Swan, Annalyn (8 March 1982). . Newsweek. Washington, D.C. Archived from the original on 10 November 2005. Retrieved 14 July 2015.

"King Of The Opera: Bravissimo, Domingo!"

Webber, Christopher (2003). The Zarzuela Companion. Lanham, Maryland: Scarecrow Press.  0810844478.

ISBN

Official website

collection of televised performances

Plácido Domingo – My Greatest Roles

Plácido Domingo International Operalia Opera Singer Contest

Deutsche Grammophon Classics

Discography

History of the Tenor – sound clips and narration

Placido Domingo performs arias from Andrea Chėnier, Abduction from the Seraglio, Carmen, Der Rosencavalier, Fidelio, Forza del destino, Otello, Samson et Dalila, Tales of Hoffmann, Tannhaeuser, Tosca, Trovatore, Un Ballo in Maschera on archive.org

in the Online Archive of the Österreichische Mediathek (registration required) Retrieved 3. November 2022

Recordings with Plácido Domingo

Biography, interviews and profiles