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Tuning mechanisms for stringed instruments

A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings.

A tuning peg in a pegbox is perhaps the most common system. A peg has a grip or knob on it to allow it to be turned. A tuning pin is a tuning peg with a detachable grip, called a tuning lever. The socket on the tuning lever fits over the pin and allows it to be turned. Tuning pins are used on instruments where there is no space for a knob on each string, such as pianos and harps.


Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings.


Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings).

Pegbox or headstock[edit]

A pegbox is the part of certain stringed musical instruments (the violin family: violin, viola, cello, double bass) that houses the tuning pegs. The corresponding part of the lute family (including guitar, mandolin, banjo, ukulele) is called the headstock.

A modern violin tuning peg, not yet shaved to fit an instrument. Note smooth taper and finger grip.

A modern violin tuning peg, not yet shaved to fit an instrument. Note smooth taper and finger grip.

The single tuning peg of a tromba marina, turned by hand

The single tuning peg of a tromba marina, turned by hand

Ornate jade tuning pins on a guqin

Ornate jade tuning pins on a guqin

Gilded bronze tuning key for turning the pins of a guqin, China, Han dynasty, 201 BC to 221 AD.

Gilded bronze tuning key for turning the pins of a guqin, China, Han dynasty, 201 BC to 221 AD.

A medieval tuning key with a square socket, for turning tuning pins. Excavated in Nottinghamshire, Great Britain.

A medieval tuning key with a square socket, for turning tuning pins. Excavated in Nottinghamshire, Great Britain.

Brass tuning pins on a replica of the late medieval Queen Mary Harp.

Brass tuning pins on a replica of the late medieval Queen Mary Harp.

pegbox and pegs of an oud.

pegbox and pegs of an oud.

The threaded tuning pins on a piano must be turned with a tuning lever.

The threaded tuning pins on a piano must be turned with a tuning lever.

A one-cord-per-note piano being tuned with a .

tuning lever

Tuning pins and tuning lever on a yatga.

Tuning pins and tuning lever on a yatga.

Harps also carry pins rather than pegs.

Harps also carry pins rather than pegs.

Tuning pins usually have square ends, allowing them to be turned with a square socket.

Tuning pins usually have square ends, allowing them to be turned with a square socket.

A modern T-shaped tuning wrench.

A modern T-shaped tuning wrench.

A tuning lever of another shape, like that used on the piano in the earlier image.

A tuning lever of another shape, like that used on the piano in the earlier image.

Sona Jobarteh tuning a kora with open machine heads

Sona Jobarteh tuning a kora with open machine heads

An open machine head, detached from the instrument

An open machine head, detached from the instrument

A closed machine head, detached from the instrument

A closed machine head, detached from the instrument

Tuning a guitar with closed machine heads

Tuning a guitar with closed machine heads

Mounted open machine heads. Note slot in background where the strings are wound around the pin of the tuner.

Mounted open machine heads. Note slot in background where the strings are wound around the pin of the tuner.

Close-up of the gearing of a mounted open machine head

Close-up of the gearing of a mounted open machine head

Pegs for double bass and guitar family instruments are usually geared, and are called tuning machines or machine heads. They often use a worm gear. The gearing ratio varies; while higher ratios are more sensitive, they are also more difficult to manufacture precisely. Machine heads may be open, with exposed gears, or closed, with a casing around all the gears.


Geared pegs for violin family instruments also exist, although they have not gained wide use, which has to do with the extensive and irreversible physical modification that must be made to the peg box in order to mount them, which is often viewed as ruining the aesthetics of the instrument, combined with a bad reputation they acquired due to poorly designed early models that were prone to failure, often with catastrophically damaging results.


The most recently marketed pegs of this sort use planetary gears designed to fit inside a case shaped like a friction peg. They have seen some adoption as they look almost exactly like friction pegs, require no more modification of the instrument than a new set of friction pegs, and make fine tuners unnecessary. They are also durable and less sensitive to changes in temperature and humidity.[12] They are popular on banjos.[13]

Machine head