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Waking the Dead (TV series)

Waking the Dead is a British television police procedural crime drama series, produced by the BBC, that centres on a fictional London-based cold case unit composed of CID police officers, a psychological profiler and a forensic scientist. A pilot episode aired in September 2000, and a total of nine series followed. Each story is split into two hour-long episodes, shown on consecutive nights on BBC One. A third series episode won an International Emmy Award in 2004. The programme was also shown on BBC America in the United States, though these screenings are edited to allow for advertising breaks, as well as UKTV in Australia and New Zealand and ABC1 in Australia. A total of 46 stories aired across the nine series. The show aired its final episode on 11 April 2011. A spin-off from the series, titled The Body Farm, revolving around forensic scientist Eve Lockhart (Tara Fitzgerald), was announced by the BBC in January 2011 and ran for just one series.

This article is about the BBC series. For the film, see Waking the Dead (film).

Waking the Dead

Barbara Machin

Joe Campbell

United Kingdom

English

9

Alexei de Keyser
Patrick Spence
Susan Hogg
Anne Pivcevic

Colin Wratten

Mike Spragg

Adam Trotman

60 minutes

BBC Drama Group

4 September 2000 (2000-09-04) –
11 April 2011 (2011-04-11)

In 2018, a five-part radio prequel to the series, The Unforgiven, was broadcast on BBC Radio 4, with Sue Johnston, Claire Goose, Wil Johnson and Holly Aird reprising their roles. All five episodes were written by series creator Barbara Machin. Anthony Howell replaced Trevor Eve in the role of Peter Boyd.[1]

Plot[edit]

Overview[edit]

The programme follows the work of a special police team that investigates cold cases, which usually concern murders that took place a number of years in the past, and were never solved. The team, composed of head officer Detective Superintendent Peter Boyd (Trevor Eve), psychological profiler Grace Foley (Sue Johnston), Detective Inspector Spencer Jordan (Wil Johnson), as well as a number of other supporting characters, uses evidence which has recently come to light, as well as contemporary technology to examine former evidence.


Initially, Boyd, Grace and Spence were accompanied by junior DC Mel Silver (Claire Goose), and stern forensic scientist Frankie Wharton (Holly Aird), however both left after the end of the fourth series. Felix Gibson (Esther Hall) and Stella Goodman (Félicité du Jeu) replaced them in the fifth series, before Eve Lockhart (Tara Fitzgerald) replaced Felix from the sixth series onwards. Katarina Howard (Stacey Roca) replaced Stella in series eight, while Sarah Cavendish (Eva Birthistle) replaced Katarina in series nine. Although the plotlines generally centre around the case, other storylines have been incorporated across the years, including Boyd's anger management issues and his being re-united with his son, Grace suffering from cancer, Spencer being shot at the hands of one of his former colleagues, and Mel's death, which creates a chain of events lasting across two series.


The show also addressed sensitive issues such as fanaticism within different religions, international organised crime, child abuse within the Catholic church, war crimes in Bosnia, forced child labour, torture, homophobia and racism. The BBC issued disclaimers twice on the show when it touched upon issues sensitive to the Labour government of the time (once about banking frauds within the City of London establishment and once about the involvement of the UK in the Iraq war). Some of the issues were dealt with through the conflicting views of Peter Boyd (a white middle-class liberal) and Spencer Jordan (a black working-class conservative).


The Body Farm, a spin-off revolving around forensic scientist Eve Lockhart (Tara Fitzgerald), produced by Trevor Eve and made by his production company Projector, was commissioned by the BBC. However, after poor ratings and reviews, it was cancelled after one series.

as Det. Supt. Peter Boyd

Trevor Eve

as Grace Foley

Sue Johnston

as DS/DI Spencer Jordan

Wil Johnson

as DC/DS Amelia Silver (Series 1–4)

Claire Goose

as Frankie Wharton (Series 1–4)

Holly Aird

as Felix Gibson (Series 5)

Esther Hall

as DC Stella Goodman (Series 5–8)

Félicité du Jeu

as Eve Lockhart (Series 6–9)

Tara Fitzgerald

as DS Katrina Howard (Series 8)

Stacey Roca

as Det. Supt. Sarah Cavendish (Series 9)

Eva Birthistle

Detective Superintendent Peter Boyd is the head of the unit. His involvement in the unit stemmed from the disappearance of his son in the 1990s. Though sometimes appearing detached, Boyd is especially close to his team, and particularly, Mel Silver, whose death haunts him after he is unable to come to terms with it. Boyd's son Luke (called Joe in series 1), is a drug-dependent runaway who disappeared whilst living on the streets, and dies from an overdose in season 7. As a detective superintendent, Boyd is often stern with suspects, and is unafraid to give them a beating. Boyd appeared in every episode.

[2]

Detective Sergeant Spencer Jordan was one of the original officers assigned to the unit when it opened, and soon became Boyd's main sidekick, often joining him in "good-cop-bad-cop" routines in the interview room, and leading the other officers within the team. He was promoted to detective inspector at the start of the fourth series, having initially joined as a detective sergeant. Before joining the unit, Spencer worked for the . Spencer reveals his intention to transfer out of the unit in "End of the Night", but in "Endgame", liaises with the unit during his stint in CID, in order to help Boyd track down Linda Cummings.

Atomic Energy Constabulary

Detective Constable Amelia "Mel" Silver was a feisty, young achiever who worked hard to be promoted from her initial role as constable to sergeant, and who frequently questioned Boyd if she believed he was looking in the wrong direction on a case. She was especially close to Frankie, and the pair soon became best friends. It is revealed that Mel was adopted, as her birth mother was deemed mentally unfit, and that her real name is Mary Price. Mel was killed by a deranged suspect at the end of the fourth series, but Boyd was unable to accept her death until the sixth series, which involves a case she investigated before her death.

[3]

Detective Constable Stella Goodman joined the unit as a permanent replacement for Detective Sergeant Silver, after being interviewed by Boyd and Grace at the start of series five. Boyd was initially hostile towards her, after being unable to accept Mel's death, but eventually came to accept her. Boyd's trust in Stella was betrayed at the end of series five, when it was revealed she had unwittingly sent information on the unit to her godfather, who had been manipulating her to cover up his own corruption. Stella died at the start of series eight, after being shot in the leg by a suspect she was chasing, and suffering thrombosis as a result of the injury.

Detective Sergeant Katrina Howard appears at the start of the eighth series as a police constable, formerly a member of the , with a history of insubordination. However, she is transferred into the unit at Boyd's request following the death of DC Goodman. Following the temporary departure of Spencer Jordan, Howard has a much more active role to play within the team than her predecessor, as she is the only other active officer aside from Boyd. Howard did not return for the ninth series, as actress Roca decided to leave the show after just one series. Her on-screen departure was never explained.

Serious Organised Crime Agency

Detective Superintendent Sarah Cavendish was transferred into the unit at the start of series nine, to replace Detective Sergeant Howard, having been moved from counter-terrorism after an incident which led to her becoming the scapegoat. She was one of the youngest superintendents in the history of the Met and, until the incident, a high flyer. At the end of the ninth series, she is murdered by Assistant Chief Commissioner Tony Nicholson, due to her knowledge of his crimes, and by spying on his interactions at with one of the antagonists. Her body was planted in Boyd's shed by Nicholson in an attempt to frame him for her murder.

The Emirates Stadium

Reception[edit]

The first series secured strong ratings, with "Burn Out" receiving 8.4 million viewers and a 38% audience share.[4] Persistently high ratings meant the programme was recommissioned each year for either the summer or winter schedule. The sixth series began with strong ratings, with "Wren Boys" achieving 9.2M viewers and a 35.2% audience share.[5] The second part dropped to 8.6M, but still gained a 33% audience share.[6] Following the successful transmission of the third series and an International Emmy Award nomination for "Special Relationship" written by Stephen Davis and directed by David Thacker, a further two series were commissioned with the number of stories expanded from four to six.[7] Waking the Dead won an International Emmy Award the following year for "Breaking Glass", written by Stephen Davis and directed by Maurice Phillips, and "Multistorey", written by Ed Whitmore and directed by Bob Bierman.[8]

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at BBC Online

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Waking the Dead

shooting script at BBC Writers Room

"Shadowplay"