Katana VentraIP

Balkan music

Balkan music is a type of music found in the Balkan region of southeastern Europe. The music is characterised by complex rhythm. Famous bands in Balkan music include Taraf de Haïdouks, Fanfare Ciocărlia, and No Smoking Orchestra.

Pre-modern Balkan music[edit]

Traditional Bulgarian music[edit]

Traditional folk instruments in Bulgarian music include various kinds of bagpipes (gaida and kaba gaida); drums (tapan); tarambuka; bells; daire; clapper; zilmasha; praportsi. Woodwind diple: zurla; kaval; duduk; dvoyanka; ocarina; accordion. String instruments: gadulka; tambura; fiddle; mandolin; guitar and gusle.

Traditional Serbian music[edit]

During the Nemanjic dynasty, musicians played an important role in the royal court, and were known as sviralnici, glumci and praskavnici. Other rulers known for the musical patronage included Stefan Dušan, Stefan Lazarević, and Đurađ Branković. Medieval musical instruments included horns, trumpets, lutes, psalteries and cymbals.

Music of Albania

Aromanian music

Music of Bosnia and Herzegovina

Music of Bulgaria

Music of Cyprus

Music of Greece

Music of Kosovo

Music of Moldova

Music of Montenegro

Music of North Macedonia

Romani music

Music of Romania

Music of Serbia

Music of Turkey

Balkan brass

Balkan jazz

Balkan Music Awards

Byzantine music

Greek folk music

(Eastern European Jewish music)

Klezmer

Pop-folk

Mhlongo, Zinaida. «'Hopa!': exploring Balkanology in South African popular culture». Diss. 2014.

Lauseviâc, Mirjana. A Different Village: international folk dance and Balkan music and dance in the United States. UMI, 1999.

Marković, Aleksandra. "Goran Bregović, the Balkan Music Composer." Ethnologia Balkanica; 12 (2008): 9–23.

Dawe, Kevin. Regional Voices in a National Soundscape: Balkan music and dance in Greece. (2007): 175–192.

Buchanan, Donna A., ed. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Scarecrow Press, 2007.

Kremenliev, Boris. "Social and Cultural Changes in Balkan Music." Western Folklore; 34.2 (1975): 117–136.

Samson, Jim. "Borders and bridges: Preliminary thoughts on Balkan music." Musicology (497)(5) (2005): 37–55.

Rice, Timothy. "Bulgaria or Chalgaria: the attenuation of Bulgarian nationalism in a mass-mediated popular music." Yearbook for Traditional Music; 34 (2002): 25–46.

Samson, Jim. Music in the Balkans. Brill, 2013.

Kurkela, Vesa. "Music media in the Eastern Balkans: Privatised, deregulated, and neo‐traditional." International Journal of Cultural Policy; 3.2 (1997): 177–205.

Archer, Rory. "Assessing turbofolk controversies: Popular music between the nation and the Balkans." Southeastern Europe; 36.2 (2012): 178–207.

Pennanen, Risto Pekka. "Lost in scales: Balkan folk music research and the Ottoman legacy." Muzikologija; 8 (2008): 127–147.

Kovaćić, Mojca. "The Music of the Other or the Music of Ours: Balkan Music among Slovenians." First Symposium of ICTM Study Group for Music and Dance in Southeastern Europe. 2008.

Jakovljević, R. "The Fearless Vernacular: Reassessment of the Balkan Music Between Tradition and Dissolution." Muzičke prakse Balkana: etnomuzikološke perspektive : zbornik radova sa naučnog skupa održanog od 23. do 25. novembra 2011 : primljeno na X skupu Odeljenja likovne i muzičke umetnosti od 14.12.2-12, na osnovu referata akademika Dejana Despića i Aleksandra Lome = Musical practices in the Balkans : ethnomusicological perspectives : proceedings of the International Conference held November 23 to 25, 2011 : accepted at the X meeting of the Department of Fine Arts and Music of 14.12. 2012., on the basis of the review presented by Academicians Dejan Despić and Aleksandar Loma; eds.: Dejan Despić, Jelena Jovanović, Danka Lajić-Mihajlović. Beograd: Muzikološki institut SANU,2012.

Pennanen, Risto Pekka. "Balkan Music Between East and West—Some Problems in Analysis." Research paper, University of Tampere (1994).

Shehan, Patricia K. "Balkan women as preservers of traditional music and culture." Women and Music in Cross-Cultural Perspective (1987): 45–53.

Blom, Jan-Petter. "Principles of rhythmic structures in Balkan folk music." Antropologiska Studier 25.26 (1978): 2–11.

Volcic, Zala, and Karmen Erjavec. "Constructing transnational divas: Gendered production of Balkan Turbo-folk music." (2011): 35–52.

Muršič, Rajko. The Balkans and Ambivalence of its Perception in Slovenia: the Horror of “Balkanism” and Enthusiasm for its Music. na, 2007.

Pettan, Svanibor. "Balkan Popular Music? No, Thanks: The View from Croatia." Balkan Popular Music. 1996.

Baker, Catherine. "The politics of performance: Transnationalism and its limits in former Yugoslav popular music, 1999–2004." Ethnopolitics 5.3 (2006): 275–293.

Friedman, Victor A. "Codeswitching in Balkan Urban Music." Urban Music in the Balkans: Drop-out Ethnic Identities or a Historical Case of Tolerance and Global Thinking (2006): 40–54.

Kolar, Walter W. An Introduction to Meter and Rhythm in Balkan Folk Music. Duquesne University Tamburitzans Institute of Folk Arts, 1974.

Irwin, Frances Mary. A comparison of two methods for teaching irregular meter to elementary school students using Balkan folk music. Diss. Washington University, 1984.

Burton, Kim. "Balkan beats: Music and nationalism in the former Yugoslavia." World music: The rough guide (1994): 83–94.

Archer, R. "Western, eastern and modern: Balkan pop-folk music and (trans) nationalism." C. Leccardi et al.(eds.) (1989): 187–204.

Petrovic, Ankica. "The Eastern Roots of Ancient Yugoslav Music." Music\= Cultures in Contact: Convergences and Collisions (2014): 13.

Rasmussen, Ljerka Vidić. Bosnian and Serbian popular music in the 1990s: Divergent paths, conflicting meanings, and shared sentiments. na, 2007.