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Easter Rising

The Easter Rising (Irish: Éirí Amach na Cásca),[2] also known as the Easter Rebellion, was an armed insurrection in Ireland during Easter Week in April 1916. The Rising was launched by Irish republicans against British rule in Ireland with the aim of establishing an independent Irish Republic while the United Kingdom was fighting the First World War. It was the most significant uprising in Ireland since the rebellion of 1798 and the first armed conflict of the Irish revolutionary period. Sixteen of the Rising's leaders were executed starting in May 1916. The nature of the executions, and subsequent political developments, ultimately contributed to an increase in popular support for Irish independence.

This article is about the armed insurrection in Ireland. For the musical, see Easter Rising (musical).

Organised by a seven-man Military Council of the Irish Republican Brotherhood, the Rising began on Easter Monday, 24 April 1916 and lasted for six days.[3] Members of the Irish Volunteers, led by schoolmaster and Irish language activist Patrick Pearse, joined by the smaller Irish Citizen Army of James Connolly and 200 women of Cumann na mBan seized strategically important buildings in Dublin and proclaimed the Irish Republic. The British Army brought in thousands of reinforcements as well as artillery and a gunboat. There was street fighting on the routes into the city centre, where the rebels slowed the British advance and inflicted many casualties. Elsewhere in Dublin, the fighting mainly consisted of sniping and long-range gun battles. The main rebel positions were gradually surrounded and bombarded with artillery. There were isolated actions in other parts of Ireland; Volunteer leader Eoin MacNeill had issued a countermand in a bid to halt the Rising, which greatly reduced the extent of the rebel actions.


With much greater numbers and heavier weapons, the British Army suppressed the Rising. Pearse agreed to an unconditional surrender on Saturday 29 April, although sporadic fighting continued briefly. After the surrender, the country remained under martial law. About 3,500 people were taken prisoner by the British and 1,800 of them were sent to internment camps or prisons in Britain. Most of the leaders of the Rising were executed following courts martial. The Rising brought physical force republicanism back to the forefront of Irish politics, which for nearly fifty years had been dominated by constitutional nationalism. Opposition to the British reaction to the Rising contributed to changes in public opinion and the move toward independence, as shown in the December 1918 election in Ireland which was won by the Sinn Féin party, which convened the First Dáil and declared independence.


Of the 485 people killed,[1] 260 were civilians, 143 were British military and police personnel, and 82 were Irish rebels, including 16 rebels executed for their roles in the Rising. More than 2,600 people were wounded. Many of the civilians were killed or wounded by British artillery fire or were mistaken for rebels. Others were caught in the crossfire during firefights between the British and the rebels. The shelling and resulting fires left parts of central Dublin in ruins.

260 (about 54%) were civilians

82 (about 16%) were Irish rebel forces (64 Irish Volunteers, 15 Irish Citizen Army and 3 )

Fianna Éireann

[1]

The Easter Rising resulted in at least 485 deaths, according to the Glasnevin Trust.[1][157][158] Of those killed:


More than 2,600 were wounded; including at least 2,200 civilians and rebels, at least 370 British soldiers and 29 policemen.[159] All 16 police fatalities and 22 of the British soldiers killed were Irishmen.[160] About 40 of those killed were children (under 17 years old),[161] four of whom were members of the rebel forces.[162]


The number of casualties each day steadily rose, with 55 killed on Monday and 78 killed on Saturday.[1] The British Army suffered their biggest losses in the Battle of Mount Street Bridge on Wednesday when at least 30 soldiers were killed. The rebels also suffered their biggest losses on that day. The RIC suffered most of their casualties in the Battle of Ashbourne on Friday.[1]


The majority of the casualties, both killed and wounded, were civilians. Most of the civilian casualties and most of the casualties overall were caused by the British Army.[163] This was due to the British using artillery, incendiary shells and heavy machine guns in built-up areas, as well as their "inability to discern rebels from civilians".[163] One Royal Irish Regiment officer recalled, "they regarded, not unreasonably, every one they saw as an enemy, and fired at anything that moved".[163] Many other civilians were killed when caught in the crossfire. Both sides, British and rebel, also shot civilians deliberately on occasion; for not obeying orders (such as to stop at checkpoints), for assaulting or attempting to hinder them, and for looting.[163] There were also instances of British troops killing unarmed civilians out of revenge or frustration: notably in the North King Street Massacre, where fifteen were killed, and at Portobello Barracks, where six were shot.[164] Furthermore, there were incidents of friendly fire. On 29 April, the Royal Dublin Fusiliers under Company Quartermaster Sergeant Robert Flood shot dead two British officers and two Irish civilian employees of the Guinness Brewery after he decided they were rebels. Flood was court-martialled for murder but acquitted.[165]


According to the historian Fearghal McGarry, the rebels attempted to avoid needless bloodshed. Desmond Ryan stated that Volunteers were told "no firing was to take place except under orders or to repel attack".[166] Aside from the engagement at Ashbourne, policemen and unarmed soldiers were not systematically targeted, and a large group of policemen was allowed to stand at Nelson's Pillar throughout Monday.[166] McGarry writes that the Irish Citizen Army "were more ruthless than Volunteers when it came to shooting policemen" and attributes this to the "acrimonious legacy" of the Dublin Lock-out.[166]


The vast majority of the Irish casualties were buried in Glasnevin Cemetery in the aftermath of the fighting.[1][157] British families came to Dublin Castle in May 1916 to reclaim the bodies of British soldiers, and funerals were arranged. Soldiers whose bodies were not claimed were given military funerals in Grangegorman Military Cemetery.

3 May: , Thomas MacDonagh and Thomas Clarke

Patrick Pearse

4 May: , William Pearse, Edward Daly and Michael O'Hanrahan

Joseph Plunkett

5 May:

John MacBride

8 May: , Michael Mallin, Seán Heuston and Con Colbert

Éamonn Ceannt

12 May: and Seán Mac Diarmada

James Connolly

Plaque commemorating the Easter Rising at the General Post Office, Dublin, with the Irish text in Gaelic script, and the English text in regular Latin script

Plaque commemorating the Easter Rising at the General Post Office, Dublin, with the Irish text in Gaelic script, and the English text in regular Latin script

Memorial in Cobh, County Cork, to the Volunteers from that town

Memorial in Cobh, County Cork, to the Volunteers from that town

Mural in Belfast depicting the Easter Rising of 1916

Mural in Belfast depicting the Easter Rising of 1916

Memorial in Clonmacnoise commemorating men of County Offaly (then King's County) who fought in 1916: James Kenny, Kieran Kenny and Paddy McDonnell are named

Memorial in Clonmacnoise commemorating men of County Offaly (then King's County) who fought in 1916: James Kenny, Kieran Kenny and Paddy McDonnell are named

Flag and copy of the Proclamation in Clonegal

Flag and copy of the Proclamation in Clonegal

1916 – containing both the Rising and the Battle of the Somme, events paramount to the memory of Irish Republicans and Ulster Unionists, respectively – had a profound effect on Ireland and is remembered accordingly.[228][j] The Rising was among the events that ended colonial rule in Ireland, succeeded by the Irish War of Independence.[233] The legacy of the Rising possess many dimensions although the declaration of the Republic and the ensuing executions remain focal points.[234]


Annual parades in celebration of the Rising occurred for many years, however, ceased after The Troubles in Northern Ireland began, being seen as supportive of republican paramilitary violence – the Rising is a common feature of republican murals in Northern Ireland.[228][235][k] These commemorations celebrated the Rising as the origin of the Irish state, a stance reiterated through extensive analysis.[238][239] Unionists contend that the Rising was an illegal attack on the British State that should not be celebrated.[237] Revivalism of the parades has inspired significant public debate, although the centenary of the Rising, which featured the likes of ceremonies and memorials, was largely successful and praised for its sensitivity.[228][240][l]


The leaders of the Rising were "instantly apotheosized" and remembrance was situated within a larger republican tradition of claimed martyrdom – the Catholic Church would contend this narrative as the foundational myth of the Irish Free State, assuming a place within the remembrance as an association between republicanism and Catholicism grew.[228][242][191][m] The "Pearsean combination of Catholicism, Gaelicism, and spiritual nationalism" would become dominant within republicanism, the ideas gaining a quasi-religiosity.[246][247] Within the Free State, the Rising was sanctified by officials, positioned as a "highly disciplined military operation".[248] Historians largely agree that the Rising succeeded by offering a symbolic display of sacrifice, while the military action was a considerable failure.[249][n] As Monk Gibbon remarked, the "shots from khaki-uniformed firing parties did more to create the Republic of Ireland than any shot fired by a Volunteer in the course of Easter week".[252]


Literature surrounding the Rising was significant: MacDonagh, Plunkett, and Pearse were themselves poets, whose ideals were granted a spiritual dimension in their work; Arnold Bax, Francis Ledwidge, George William Russell and W. B. Yeats responded through verse that ranged from endorsement to elegies.[253][o] Although James Joyce was ambivalent to the insurgence, metaphors of and imagery consistent with the Rising appear in his later work.[251] Hugh Leonard, Denis Johnston, Tom Murphy, Roddy Doyle and Sorley MacLean are among writers would later invoke the Rising.[255][256] Now extensively dramatised, its theatricality was identified in the moment and has been stressed in its remembrance.[257] Literary and political evocation position the Rising as a "watershed moment" central to Irish history.[258]


Black, Basque, Breton, Catalan and Indian nationalists have drawn upon the Rising and its consequences.[259][260][261][262] For the latter, Jawaharlal Nehru noted, the symbolic display was the appeal, that of the transcendent, "invincible spirit of a nation"; such was broadly appealing in America, where diasporic, occasionally socialist, nationalism occurred.[259][263][264][p] Vladimir Lenin was effusive, ascribing its anti-imperialism a singular significance within geopolitics – his only misgiving was its estrangement from the broader wave of revolution occurring.[267][q]


During the Troubles, significant revisionism of the Rising occurred. Revisionists contended that it was not a "heroic drama" as thought but rather informed the violence transpiring, by having legitimised a "cult of 'blood sacrifice'".[270][271] With the advent of a Provisional IRA ceasefire and the beginning of what became known as the Peace Process during the 1990s, the government's view of the Rising grew more positive and in 1996 an 80th anniversary commemoration at the Garden of Remembrance in Dublin was attended by the Taoiseach and leader of Fine Gael, John Bruton.[272]

"", a poem by the poet and playwright W.B. Yeats, published in 1921.

Easter, 1916

"" is a song by Canon Charles O'Neill, composed during the Irish War of Independence, that eulogises the rebels of the Easter Rising.[273]

The Foggy Dew

is a 1926 play by Seán O'Casey that takes place during the Easter Rising.

The Plough and the Stars

is a 1950 novel by Liam O'Flaherty that takes place during the Rising.

Insurrection

is a 1965 novel by Iris Murdoch that covers the events leading up to and during the Easter Rising.

The Red and the Green

is an eight-part 1966 docudrama made by Telefís Éireann for the 50th anniversary of the Rising. It was rebroadcast during the centenary celebrations in 2016.[274]

Insurrection

"Grace" is a 1985 song about the marriage of Joseph Plunkett to in Kilmainham Gaol before his execution.[275]

Grace Gifford

1916, A Novel of the Irish Rebellion is a 1998 historical novel by .

Morgan Llywelyn

is a 1999 novel by Roddy Doyle that partly recounts the Easter Rising through the involvement of the novel's protagonist Henry Smart.

A Star Called Henry

is a 2001 novel by Irish writer Jamie O'Neill, set in Dublin before and during the 1916 Easter Rising.

At Swim, Two Boys

, is a 2001 BBC miniseries on the life of a (fictional) nationalist from the Rising through the Irish Civil War.

Rebel Heart

is a 2009 graphic novel by Gerry Hunt depicting the events of the Easter Rising.[276][277]

Blood Upon the Rose

1916 Seachtar na Cásca is a 2010 Irish TV documentary series based on the Easter Rising, telling about seven signatories of the rebellion.

is a 2012 novel by Mario Vargas Llosa based on the life and death of Roger Casement, including his involvement with the Rising.

The Dream of the Celt

is a 2016 mini-series about the Easter Rising.

Rebellion

1916 is a 2016 three-part documentary mini-series about the Easter Rising narrated by .[278]

Liam Neeson

is a 2018 Irish film set primarily in Donegal in 1916 and in Derry in 1969, in which the Rising is also featured.

Penance

List of Irish uprisings

Property Losses (Ireland) Committee

Bunbury, Turtle. Easter Dawn – The 1916 Rising (Mercier Press, 2015)  978-1781-172582

ISBN

McCarthy, Mark. Ireland's 1916 Rising: Explorations of History-Making, Commemoration & Heritage in Modern Times (2013), historiography

excerpt

McKeown, Eitne, 'A Family in the Rising' Dublin Electricity Supply Board Journal 1966.

Murphy, John A., Ireland in the Twentieth Century

(1917). "Events of Easter Week". The Catholic Bulletin. Dublin.

O'Farrell, Elizabeth

Purdon, Edward, The 1916 Rising

Shaw, Francis, S.J., "The Canon of Irish History: A Challenge", in Studies: An Irish Quarterly Review, LXI, 242, 1972, pp. 113–52

Easter 1916 – Digital Heritage Website

National Library of Ireland

The 1916 Rising – an Online Exhibition.

Trinity College Dublin

The Letters of 1916 – Crowdsourcing Project

Curran, Constantine Peter (1916). "History". 1916 Rising Postcards. UCD Library, University College Dublin. :10.7925/drs1.ucdlib_38376.

doi

UCD Library. UCD Library Special Collections (1928). Towards 2016. UCD Library, University College Dublin, Belfield, Dublin 4, Ireland. :10.7925/drs1.ivrla_30530.

doi

Lillian Stokes (1878–1955): account of the 1916 Easter Rising

(Sources database, National Library of Ireland)

Primary and secondary sources relating to the Easter Rising

Easter Rising site and walking tour of 1916 Dublin

News articles and letters to the editor in The Age, 27 April 1916

Archived 30 July 2020 at the Wayback Machine a 10-painting suite acquired by An Post for permanent display at the General Post Office (Dublin)

The 1916 Rising by Norman Teeling

BBC History

The Easter Rising

The Irish Story archive on the Rising

Easter Rising website

Lenin's discussion of the importance of the rebellion appears in Section 10: The Irish Rebellion of 1916

The Discussion On Self-Determination Summed Up

Bureau of Military History – Witness Statements Online (PDF files)