Nick at Nite
Nick at Nite (stylized as nick@nite) is a nighttime programming block on the American basic cable channel Nickelodeon. The programming broadcasts from prime time to late night (airtime varies depending on the night). The block initially consisted of syndicated sitcoms and films from the 1950s to the 1970s. Nick at Nite gradually shifted its programming to primarily airing sitcoms as recent as the mid-1990s to the 2010s.
Network
Paramount Media Networks, a division of Paramount Global, generally regards Nick at Nite as a separate channel that shares space with Nickelodeon on the channel due to the block targeting adult audiences. Nielsen has reported Nick at Nite ratings separately from Nickelodeon since 2004.[1][2]
History[edit]
Early years[edit]
In 1984, after the Hearst Corporation, NBC, and ABC announced their plans to spin off A&E into a separate 24-hour cable channel, Nickelodeon's general manager, Geraldine Laybourne, was asked by MTV Networks President Bob Pittman to develop programming for the vacated timeslot. This was to take advantage of valuable satellite time as A&E was moving to its own channel. Laybourne sought the help of programming and branding consultants Alan Goodman and Fred Seibert of Fred/Alan Inc. – who were previously successful in branding MTV and Nickelodeon's extensive 1984 rebranding – to come up with new programming ideas. The transition to a 24-hour broadcast for Nickelodeon took place in June, with some cable providers substituting the primetime schedule of other niche-interest networks onto the channel space.[3][4]
After being presented with over 200 episodes of The Donna Reed Show (a 1950s sitcom which Laybourne despised), Goodman and Seibert conceived the idea of the "first oldies TV network." They modeled the new evening and overnight programming block on the successful oldies radio format "The Greatest Hits of All Time" and branded the block with their next evolution of MTV- and Nickelodeon-style imagery and bumpers. Head programmer Debby Beece led the team to the name "Nick at Nite" for the new block; a logo originally conceived for the block was based on Nickelodeon's "pinball" logo introduced in 1981, which was discontinued with that network's rebrand. Fred/Alan developed the original logo with Tom Corey and Scott Nash of Boston advertising agency Corey McPherson Nash, creators of the well-recognized Nickelodeon orange splat logo (Nick at Nite's logo design would maintain a separate, yet similar visual appearance and design from its parent network).
Branding and commercials[edit]
Nick at Nite has used numerous unusual and offbeat commercials, logos and promotions. Alan Goodman and Fred Seibert assembled a team of highly imaginative writers/producers, modeled on their original 1981 creative team that had launched sister channel MTV. The group – which included Scott Webb, Jim Levi, Dave Potorti, Jay Newell, Will McRobb, and Tom Hill – was guided towards creating a series of internal campaigns to emphasize the seeming paradox of a contemporary network setting that programmed reruns from the 1960s and earlier. A series of five "promises" were organized into four 30-second spots each hour, each emphasizing an attribute of the innovative programming format.
In 1986, the channel began running a few different animated 10-second channel identifications (produced by Noyes and Laybourne and the Fred/Alan agency) that were repetitive in creation, but all had vastly different endings (similar to the "watch me pull a rabbit out of my hat" gag from The Rocky and Bullwinkle Show). In one such ID, the first chord of The Beatles' "A Hard Day's Night" would be heard strummed, as a man began to hang up a Nick at Nite logo and common living room objects such as a chair and a television set. Once the man sat down in front of the TV set and clicked the remote control, a bizarre incident would happen, such as a gorilla coming out of the set. Later IDs started with either a woman setting up her backyard behind a "city" background, which was made of cardboard, or a couple setting up their living room. In May 1991, Nick at Nite started running a wide variety of IDs created in association with Pomposello Productions. These were made with almost every imaginable technique from cel animation to stop motion, to original live-action and stock footage. Almost every commercial had a different jingle professing Nick at Nite as being "A TV Viewer's Dream" for "the TV generation" and as coming from a place called "TV Land" ("Hello out there, from TV Land!") and promoting "Better Living Through Television", although these claims were always somewhat tongue in cheek.
There were also sarcastic promotions created for shows airing on the network: an announcer's voiceover would discuss the series, accompanied by clips and music, and sometimes the show's theme song. The commercials would use an actor's line or expression and take it out of context to create a new subversive meaning. The channel still uses this technique today, although often in a more partial way. A popular take-off of the Michelob Light commercial, "The Nite Belongs to Nick" ran for a short period of time before being discontinued due to copyright issues. One series of promos had Dick Van Dyke (whose eponymous 1960s sitcom was a mainstay of the channel in the 1990s) depicted as "Chairman of Nick at Nite" (this idea was later recycled by one of Nick at Nite's sister networks, TeenNick, which depicted actor and television personality Nick Cannon as the "Chairman of TeenNick" in a series of promos that began airing on September 28, 2009). In 1995, in honor of the network's tenth anniversary, Nick at Nite aired a tribute to the commercials throughout the network's existence and hosted by former network president Rich Cronin.
The channel also had a unique way of informing viewers about the show that was about to air next. Beginning as only some of the night's shows and their airtimes being listed as music played over an on-screen graphic, this simple concept would be revised and re-revised many times over. At one point, a television with objects and people from the show scrolling by (for instance, for Get Smart a shoe phone, gun, and Max and 99) would appear on the screen while the announcer describes the program title and time; the time that the show was scheduled to air would be popped up in another box. Some shows were preceded by a bumper showing the following episode's number and title. Nick at Nite's original continuity announcer was Nickelodeon announcer Wendell Craig; Bill St. James alternated with Wendell before replacing him as the channel's primary continuity announcer in 1992 and serving in that capacity until 2007 (except for a short period from March 2001 until September 2002, in which he was replaced with a different Soul Train-esque announcer). Bill has also served as an announcer for the premium channels Showtime, The Movie Channel (both former Viacom sister channels to Nick at Nite), and HBO, among other television clients, as well as serving as the host of the radio shows Flashback and Time Warp (which focus on classic rock and oldies music).
A few of Nick at Nite's promos in the early 1990s involved Dixie the TV Land Pixie promoting Nick at Nite "Brand Reruns". During this time, the network would also play an interstitial series called "Milkman," about a milkman who would distribute good advice to customers on his milk delivery route. By 1995, Nick at Nite introduced a new mascot named "Phil". Phil was seen doing several stunts, such as dressing up as a crab during Block Party Summer bumpers. In an ID usually seen when Nick at Nite signed on, Phil was seen working as technician to "try to get Nick at Nite up and running." In December 1996, Nick at Nite introduced twelve network IDs directed by Mo Willems which introduced the block's CGI mascot "Logobelly". Logobelly was seen doing various activities and appeared on colorful backgrounds on TV sets interacting with past TV stars watching television sets. Curious Pictures created six more IDs for Nick at Nite featuring "Logobelly" in April 1998 with Toonz and 3D Studio Max software.
Nick at Nite received a rebrand in January 1999 (which was used until March 2001) produced by Scott Stowell and Chip Wass (who previously designed a set of CGI IDs for the network in 1996). The rebrand prominently used the color yellow and shades of blue (which became darker overnight). Nick at Nite's IDs at the time typically featured a moving illustration by Chip Wass and either a female voiceover singing a jingle about the network which ended with "Nick at Nite, the place for TV hits" or narration by Bill St. James for overnight IDs.
In March 2001, in an effort to cash-in on the reality-TV boom, Nick at Nite underwent an extensive rebrand with the new theme of "Unreality", with IDs and bumpers featuring clips from actual events then going to clips from TV shows inspiring the events and then ending with the Nick at Nite logo and slogan "100% Sitcoms, 100% Unreality". One bumper used during this era had the slogan "All Sitcoms, All Night Long".