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Norwich Cathedral

Norwich Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is a Church of England cathedral in the city of Norwich, Norfolk, England. The cathedral is the seat of the bishop of Norwich and the mother church of the diocese of Norwich. It is administered by its dean and chapter, and there are daily Church of England services. It is a Grade I listed building.[2]

For the Roman Catholic cathedral in Norwich, see St John the Baptist Cathedral, Norwich.

Norwich Cathedral

England

300945

24 September 1101
(reconsecrated 1278)

1096–(1121–1145)

124 m (407 ft)[1]

76.8 m (252 ft)[1]

54.9 m (180 ft)[1]

21.9 m (72 ft)[1]

21.9 m (72 ft)[1]

96 m (315 ft)[1]

5 (formerly 10)

Norwich (since 1094)

David Dunnett

The Cathedral of the Holy and Undivided Trinity

26 February 1954

1051330

Construction of the building was begun in 1096 at the behest of the first bishop of NorwichHerbert de Losinga. When the crossing tower was the last piece of the Norman cathedral to be completed; measuring 461 ft (141 m) and 177 ft (54 m) wide, the cathedral was the largest building in East Anglia. The cathedral close occupied a tenth of the total area of the medieval city.


The present structure of Norwich Cathedral is primarily Norman, being made of flint and mortar and faced with a cream-coloured Caen limestone. The cathedral was damaged during the riots of 1272; repairs were completed in 1278. The cloisters, begun in 1297, are the second largest cloisters in England. The present spire—the second tallest in England at 315 ft (96 m)—is a stone structure built in 1480, that replaced one made of wood. In about 1830, the south transept was remodelled by the architect Anthony Salvin. A new hospitality and education facility by Hopkins Architects was opened by Elizabeth II and the Duke of Edinburgh in 2010.


Norwich Cathedral once had the earliest astronomical clock in England. The cathedral's bosses are one of the world's greatest mediaeval sculptural treasures, having survived the iconoclasm of the Tudor and English Civil War periods.

History[edit]

Origins[edit]

In the year 672, the Archbishop of Canterbury, Theodore of Tarsus, divided the Kingdom of East Anglia into two dioceses: one covering Norfolk with its episcopal see at Elmham; the other covering Suffolk with its see at Dunwich. During much of the 9th century, because of the Danish incursions, there was no bishop at Elmham; in addition the see of Dunwich was extinguished and East Anglia became a single diocese once more. Following the Norman Conquest, sees were moved to more secure urban centres, that of Elmham being transferred to Thetford in 1072, and finally to Norwich in 1094.[3] The new cathedral was dedicated to the Holy and Undivided Trinity.[4] As with the Norman cathedrals at Bath, Winchester, Worcester, Canterbury, Rochester, Durham, and Ely, it incorporated a priory of Benedictine monks.[5]

Norman period[edit]

The structure of the cathedral is primarily in the Norman style, having been constructed at the behest of the first bishop of Norwich, Herbert de Losinga, who had bought the bishopric for £1,900 before its transfer from Thetford.[4] It still retains the greater part of its original stone structure. An Anglo-Saxon settlement and two churches were demolished to make room for the buildings and a canal cut to allow access for the boats bringing the stone and building materials which were taken up the River Wensum and unloaded.[6]

Later Medieval period[edit]

The cathedral was damaged after riots in 1272,[4] which resulted in the city paying heavy fines levied by Henry III, king of England[6] The cathedral was re-consecrated in the presence of Edward I of England on Advent Sunday, in 1278.[4]


The Norman spire was blown down in 1362. Its fall damaged the east end of the building.[4][7] In 1463 the spire was struck by lightning, causing a fire to rage through the nave which was so intense it turned some of the cream-coloured Caen limestone a pink colour.[6] In 1480 the bishop, James Goldwell, ordered the building of a new spire which is still in place today.[7]

16th and 17th centuries[edit]

The composer and 'singing man' Osbert Parsley worked at Norwich Cathedral for 50 years, until his death in 1585.[8]


The cathedral was partially in ruins when John Cosin was at Norwich School in the early 17th century and the former bishop was an absentee figure. In 1643 during the Civil War, an angry Puritan mob invaded the cathedral and destroyed all Roman Catholic symbols. The building, abandoned the following year, lay in ruins for two decades. Norwich bishop Joseph Hall provides a graphic description from his book Hard Measure:[9]

Ministry[edit]

Dean and chapter[edit]

As of 3 February 2023:[16]

Art works and treasures[edit]

Stained glass[edit]

The medieval stained glass windows in the cathedral, which was largely destroyed during the English Reformation,[35] sustained further damage during the English Civil War.[36]


The glass in the west window was designed by George Hedgeland, and was installed in 1854.[35]

List of burials at Norwich Cathedral

Architecture of the medieval cathedrals of England

List of Romanesque buildings#England

List of cathedrals in the United Kingdom

List of Gothic Cathedrals in Europe

List of tallest structures built before the 20th century

Atherton, Ian; Fernie, Eric; Harper-Bill, Christopher; Smith, Hassell, eds. (1996). . London: The Hambleton Press. ISBN 978-1-85285-134-7.

Norwich Cathedral: Church, City and Diocese, 1096–1996

(1806). "City of Norwich, chapter 41: Of the Cathedral Church and its Precinct". An Essay Towards A Topographical History of the County of Norfolk. Vol. 4, the History of the City and County of Norwich, Part II. London: British History Online. pp. 1–46.

Blomefield, Francis

Boyd, Morrison Comegys (1962). (2nd ed.). Philadelphia: University of Pennsylvania Press. OCLC 599711.

Elizabethan Music and Musical Criticism

Britton, John (1816). . London: Longman, Hurst, Rees, Orme, and Brown. OCLC 44036545.

The History and Antiquities of the See and Cathedral Church of Norwich

Bumpus, T. Francis (1929). . London: T. Werner Laurie. OCLC 5626538.

The Cathedrals of England and Wales

Challis, M.G. (1998). . Nettlebed, UK: Teamband. ISBN 978-18981-8-701-1.

Life in Medieval England: as Portrayed on Church Misericords & Bench Ends

(1948). Roof Bosses in Medieval Churches: An Aspect of Gothic Sculpture. CUP Archive. pp. 12–13. GGKEY:QEY40Z28LJ5.

Cave, Charles John Philip

(1989). The Cathedrals of England. Norwich: Thames and Hudson. ISBN 0500200629.

Clifton-Taylor, Alec

Gilchrist, Roberta (2016). . Studies in the History of Medieval Religion. Vol. 26. Boydell Press. ISBN 978-1-84383-173-0.

Norwich Cathedral Close: The Evolution of the English Cathedral Landscape

(1911). The Sculptured Bosses in the Cloisters of Norwich Cathedral. Norwich: Norfolk and Norwich Archaeological Society. OCLC 1277156956.

James, Montague Rhodes

(1986). Bell-ringing: The English Art of Change-ringing. London; New York: Harmondsworth; Viking. ISBN 0670801763.

Johnston, Ronald John

L'Estrange (1874). . Norwich, UK: Miller and Leavins. OCLC 562138800.

The Church Bells of Norfolk: Where, When, and by Whom They Were Made, with the Inscriptions on All the Bells in the County

(1948). The Glories of Norwich Cathedral. London: Winchester Publications. OCLC 1285567428.

Mottram, Ralph Hale

(2002). Norfolk. 1, North-East Norfolk and Norwich. The Buildings of England. New Haven; London: Yale University Press. ISBN 978-03000-9-607-1.

Pevsner, Nikolaus

Pounds, Norman John Greville (2005). . Westport, Connecticut: Greenwood Publishing Group. ISBN 978-0-313-32498-7.

The Medieval City

(1900) [1898]. The Cathedral Church of Norwich: A Description of its Fabric and a Brief History of the Episcopal See. London: G. Bell & Sons.

Quennell, Charles Henry Bourne

Rose, Martial (2003). . Dereham, UK: Larks Press. ISBN 978-19040-0-615-2.

The Misericords of Norwich Cathedral

Sims, Tony (2000). "The Erpingham Gate". In (ed.). Agincourt 1415: Henry V, Sir Thomas Erpingham and the Triumph of the English Archers. Stroud: Tempus Publishing Ltd. pp. 91–103. ISBN 978-0-7524-1780-6.

Curry, Anne

Spink, Ian (1965). . The Musical Times. 106 (1474): 949. doi:10.2307/954347. JSTOR 954347 – via JSTOR.

"Morley of Norwich"

Stewart, DJ. (1875). . The Archaeological Journal. 32.

"Notes on Norwich Cathedral"

Thurlow, A.G.G. (1946). . 29 (1). Norwich: Norfolk and Norwich Archaeological Society. {{cite journal}}: Cite journal requires |journal= (help)

"The Bells of Norwich Cathedral"

Walters, Henry Beauchamp (1912). . London: H. Frowde. OCLC 1041812382.

Church Bells of England

West, John Ebenezer (1921). . London: Novello. OCLC 1041811137.

Cathedral Organists Past and Present

Woodforde (1950). . Oxford: Oxford University Press. OCLC 1039522051.

The Norwich School of Glass-painting in the Fifteenth Century

Rawcliffe, Carole; Wilson, Richard (2006). . Hambledon Continuum. ISBN 978-18528-5-546-8.

Medieval Norwich

Tanner, Norman P. (1984). . Toronto: Pontifical Institute of Mediaeval Studies. ISBN 0888440669.

The Church in Late Medieval Norwich, 1370-1532

. Norwich Heritage Explorer. Norfolk County Council. Retrieved 11 July 2023.

"The Cathedral of the Holy and Undivided Trinity (Norwich Cathedral)"

. Archaeology Data Service. Retrieved 11 July 2023. The journal contains 25 articles relating directly to Norwich Cathedral.

"Series: Norfolk Archaeology (Norfolk and Norwich Archaeological Society)"

by Anne Page (self published)

A history of the choristers of Norwich Cathedral

by Alison Stones and the University of Pittsburgh

Information about the misericords at Norwich

from www.misericords.co.uk (self-published)

Photographs of each of the misericords at Norwich

from the Norwich Diocesan Association of Ringers

Information about the cathedral's bells

from Norfolk Stained Glass (self-published)

Information about the stained glass windows at Norwich