Katana VentraIP

Lynching was the widespread occurrence of extrajudicial killings which began in the United States' pre–Civil War South in the 1830s and ended during the civil rights movement in the 1950s and 1960s. Although the victims of lynchings were members of various ethnicities, after roughly 4 million enslaved African Americans were emancipated, they became the primary targets of white Southerners. Lynchings in the U.S. reached their height from the 1890s to the 1920s, and they primarily victimized ethnic minorities. Most of the lynchings occurred in the American South, as the majority of African Americans lived there, but racially motivated lynchings also occurred in the Midwest and border states.[2] In 1891, the largest single mass lynching in American history was perpetrated in New Orleans against Italian immigrants.[3][4]


Lynchings followed African Americans with the Great Migration (c. 1916–1970) out of the American South, and were often perpetrated to enforce white supremacy and intimidate ethnic minorities along with other acts of racial terrorism.[5] A significant number of lynching victims were accused of murder or attempted murder. Rape, attempted rape, or other forms of sexual assault were the second most common accusation; these accusations were often used as a pretext for lynching African Americans who were accused of violating Jim Crow era etiquette or engaged in economic competition with Whites. One study found that there were "4,467 total victims of lynching from 1883 to 1941. Of these victims, 4,027 were men, 99 were women, and 341 were of unidentified gender (although likely male); 3,265 were Black, 1,082 were white, 71 were Mexican or of Mexican descent, 38 were American Indian, 10 were Chinese, and 1 was Japanese."[6]


A common perception of lynchings in the U.S. is that they were only hangings, due to the public visibility of the location, which made it easier for photographers to photograph the victims. Some lynchings were professionally photographed and then the photos were sold as postcards, which became popular souvenirs in parts of the United States. Lynching victims were also killed in a variety of other ways: being shot, burned alive, thrown off a bridge, dragged behind a car, etc. Occasionally, the body parts of the victims were removed and sold as souvenirs. Lynchings were not always fatal; "mock" lynchings, which involved putting a rope around the neck of someone who was suspected of concealing information, was sometimes used to compel people to make "confessions". Lynch mobs varied in size from just a few to thousands.


Lynching steadily increased after the Civil War, peaking in 1892. Lynchings remained common into the early 1900s, accelerating with the emergence of the Second Ku Klux Klan. Lynchings declined considerably by the time of the Great Depression. The 1955 lynching of Emmett Till, a 14-year-old African-American boy, galvanized the civil rights movement and marked the last classical lynching (as recorded by the Tuskegee Institute). The overwhelming majority of lynching perpetrators never faced justice. White supremacy and all-white juries ensured that perpetrators, even if tried, would not be convicted. Campaigns against lynching picked up steam in the early 20th century, championed by groups such as the NAACP. Some 200 anti-lynching bills were introduced in Congress between the end of the Civil War and the Civil Rights movement, but none passed. Finally, in 2022, 67 years after Emmett Till's killing and the end of the lynching era, the United States Congress passed anti-lynching legislation in the form of the Emmett Till Antilynching Act.

Background[edit]

Collective violence was a familiar aspect of the early American legal landscape, with group violence in colonial America being usually nonlethal in intention and result. In the 17th century, in the context of the Wars of the Three Kingdoms in the British Isles and unsettled social and political conditions in the American colonies, lynchings became a frequent form of "mob justice" when the authorities were perceived as untrustworthy.[7] In the United States, during the decades after the Civil War, African Americans were the main victims of racial lynching, but in the American Southwest, Mexican Americans were also the targets of lynching as well.[8]


At the first recorded lynching, in St. Louis in 1835, a Black man named McIntosh (who killed a deputy sheriff while being taken to jail) was captured, chained to a tree, and burned to death on a corner lot downtown in front of a crowd of over 1,000 people.[9]


According to historian Michael J. Pfeifer, the prevalence of lynchings in post–Civil War America reflected people's lack of confidence in the "due process" of the U.S. judicial system. He links the decline in lynchings in the early 20th century to "the advent of the modern death penalty", and argues that "legislators renovated the death penalty...out of direct concern for the alternative of mob violence". Pfeifer also cited "the modern, racialized excesses of urban police forces in the twentieth century and after" as bearing characteristics of lynchings.[10]

Lynching as a means to maintain white supremacy[edit]

Lines of continuity from slavery to present[edit]

A major motive for lynchings, particularly in the South, was white society's efforts to maintain white supremacy after the emancipation of enslaved people following the American Civil War. Lynchings punished perceived violations of customs, later institutionalized as Jim Crow laws, which mandated racial segregation of Whites and Blacks, and second-class status for Blacks. A 2017 paper found that more racially segregated counties were more likely to be places where Whites conducted lynchings.[11]


Lynchings emphasized the new social order which was constructed under Jim Crow; Whites acted together, reinforcing their collective identity along with the unequal status of Blacks through these group acts of violence.[12]


Lynchings were also (in part) intended as a voter suppression tool. A 2019 study found that lynchings occurred more frequently in proximity to elections, in particular in areas where the Democratic Party faced challenges.[13]


According to historian Ty Seidule, lynchings as a tool to "ensure racial control effectively"[14] was replaced by the death penalty.[15]


According to historian Michael J. Pfeifer, "the modern, racialized excesses of urban police forces in the twentieth century and after" bear characteristics of lynchings.[16]

Tuskegee definition[edit]

Tuskegee Institute, now Tuskegee University, defined conditions that constituted a recognized lynching, a definition which became generally accepted by other compilers of the era:

Resistance[edit]

African American resistance[edit]

African Americans resisted lynchings in numerous ways. Intellectuals and journalists encouraged public education, actively protesting and lobbying against lynch mob violence and government complicity. The National Association for the Advancement of Colored People (NAACP), and related groups, organized support from white and Black Americans, publicizing injustices, investigating incidents, and working for passage of federal anti-lynching legislation (which finally passed as the Emmett Till Anti-Lynching Act on March 29, 2022).[96] African American women's clubs raised funds and conducted petition drives, letter campaigns, meetings, and demonstrations to highlight the issues and combat lynching.[97] In the great migration, particularly from 1910 to 1940, 1.5 million African Americans left the South, primarily for destinations in northern and mid-western cities, both to gain better jobs and education and to escape the high rate of violence. From 1910 to 1930 particularly, more Blacks migrated from counties with high numbers of lynchings.[98]


African American writers used their talents in numerous ways to publicize and protest against lynching. In 1914, Angelina Weld Grimké had already written her play Rachel to address racial violence. It was produced in 1916. In 1915, W. E. B. Du Bois, noted scholar and head of the recently formed NAACP, called for more Black-authored plays.


African American female playwrights were strong in responding. They wrote ten of the 14 anti-lynching plays produced between 1916 and 1935. The NAACP set up a Drama Committee to encourage such work. In addition, Howard University, the leading historically Black college, established a theater department in 1920 to encourage African American dramatists. Starting in 1924, the NAACP's major publications The Crisis and Opportunity sponsored contests to encourage Black literary production.[99]


African Americans emerged from the Civil War with the political experience and stature to resist attacks, but disfranchisement and imposition of Jim Crow in the South at the turn of the 20th century closed them out of the political system and judicial system in many ways. Advocacy organizations compiled statistics and publicized the atrocities, as well as working for enforcement of civil rights and a federal anti-lynching law. From the early 1880s, the Chicago Tribune reprinted accounts of lynchings from other newspapers, and published annual statistics. These provided the main source for the compilations by the Tuskegee Institute to document lynchings, a practice it continued until 1968.[100]

After the civil rights movement[edit]

Although lynchings have become rare following the civil rights movement and the resulting changes in American social norms, some lynchings have still occurred. In 1981, two Klan members in Alabama randomly selected a 19-year-old Black man, Michael Donald, and murdered him, in order to retaliate for a jury's acquittal of a Black man who was accused of murdering a white police officer. The Klansmen were caught, prosecuted, and convicted (one of the Klansmen, Henry Hayes, was sentenced to death and executed on June 6, 1997). A $7 million judgment in a civil suit against the Klan bankrupted the local Klan subgroup, the United Klans of America.[138]


In 1998, Shawn Allen Berry, Lawrence Russel Brewer, and ex-convict John William King murdered James Byrd Jr. in Jasper, Texas. Byrd was a 49-year-old father of three, who had accepted an early-morning ride home with the three men. They attacked him and dragged him to his death behind their truck.[139] The three men dumped their victim's mutilated remains in the town's segregated African-American cemetery and then went to a barbecue.[140] Local authorities immediately treated the murder as a hate crime and requested FBI assistance. The murderers (two of whom turned out to be members of a white supremacist prison gang) were caught and stood trial. Brewer and King were both sentenced to death (with Brewer being executed in 2011, and King being executed in 2019). Berry was sentenced to life in prison.


On June 13, 2005, the U.S. Senate formally apologized for its failure to enact a federal anti-lynching law in the early 20th century, "when it was most needed". Before the vote, Louisiana senator Mary Landrieu noted: "There may be no other injustice in American history for which the Senate so uniquely bears responsibility."[141] The resolution was passed on a voice vote with 80 senators cosponsoring, with Mississippians Thad Cochran and Trent Lott being among the twenty U.S. senators abstaining.[141] The resolution expressed "the deepest sympathies and most solemn regrets of the Senate to the descendants of victims of lynching, the ancestors of whom were deprived of life, human dignity and the constitutional protections accorded all citizens of the United States".[141]


In February 2014, a noose was placed on the statue of James Meredith, the first African American student at the University of Mississippi.[142] A number of nooses appeared in 2017, primarily in or near Washington, D.C.[143][144][145]


In August 2014, Lennon Lacy, a teenager from Bladenboro, North Carolina, who had been dating a white girl, was found dead, hanging from a swing set. His family believes that he was lynched, but the FBI stated, after an investigation, that it found no evidence of a hate crime. The case is featured in a 2019 documentary about lynching in America, Always in Season.[146]


In May 2017, Mississippi Republican state representative Karl Oliver of Winona stated that Louisiana lawmakers who supported the removal of Confederate monuments from their state should be lynched. Oliver's district includes Money, Mississippi, where Emmett Till was murdered in 1955. Mississippi's leaders from both the Republican and Democratic parties quickly condemned Oliver's statement.[147]


In 2018, the Senate attempted to pass new anti-lynching legislation (the Justice for Victims of Lynching Act), but this failed.


On April 26, 2018, in Montgomery, Alabama, the National Memorial for Peace and Justice opened. Founded by the Equal Justice Initiative of that city, it is the first memorial created specifically to document lynchings of African Americans.


In 2019, Goodloe Sutton, then editor of a small Alabama newspaper, The Democrat-Reporter, received national publicity after he said in an editorial that the Ku Klux Klan was needed to "clean up D.C."[148] When he was asked what he meant by "cleaning up D.C.", he stated: "We'll get the hemp ropes out, loop them over a tall limb and hang all of them." "When he was asked if he felt that it was appropriate for the publisher of a newspaper to call for the lynching of Americans, Sutton doubled down on his position by stating: …'It's not calling for the lynchings of Americans. These are socialist-communists we're talking about. Do you know what socialism and communism is?'" He denied that the Klan was a racist and violent organization, comparing it to the NAACP.[149]


On January 6, 2021, during the 2021 storming of the United States Capitol, the rioters shouted "Hang Mike Pence!" in an attempt to find and lynch the vice president of the United States for refusing to overturn the 2020 United States Presidential Election in favor of President Donald Trump, and a rudimentary gallows was built on the Capitol lawn.[150][151]


As of 2021, the Equal Justice Initiative claims that lynchings never stopped, listing 8 deaths in Mississippi that law-enforcement deemed suicides, but the civil rights organization Julian believes were lynchings. According to Jill Jefferson, "There is a pattern to how these cases are investigated", "When authorities arrive on the scene of a hanging, it's treated as a suicide almost immediately. The crime scene is not preserved. The investigation is shoddy. And then there is a formal ruling of suicide, despite evidence to the contrary. And the case is never heard from again unless someone brings it up."[152]

's Adventures of Huckleberry Finn, an 1885 novel, depicts attempted (although failed) lynching as a minor episode.

Mark Twain

's The Virginian, a 1902 seminal novel in the genre of Western novels in the United States, dealt with a fictional treatment of the Johnson County War and frontier lynchings in the West.

Owen Wister

, a 1904 silent crime drama short film directed by Harry Buckwalter.

Tracked by Bloodhounds; or, A Lynching at Cripple Creek

's Rachel (1914) was the first play about the toll of racial violence directed at African-American families; it was produced in 1916.

Angelina Weld Grimké

Following the commercial and critical success of 's film, Birth of a Nation (1915), which glorified the Ku Klux Klan for its violence during Reconstruction, African-American director and writer Oscar Micheaux responded in 1919 with the film Within Our Gates. The climax of the film is the lynching of a Black family after one member of the family is wrongly accused of murder. Considered a commercial failure, the film was an inductee of the 1992 National Film Registry list.[195]

D. W. Griffith

's play, Climbing Jacob's Ladder, was about a lynching; it was performed by the Krigwa Players (later called the Negro Experimental Theater), a Harlem theatre company.

Regina M. Anderson

's short story "Dry September" (1931) tells the story of a lynch mob forming in response to an alleged offense against a white woman.

William Faulkner

's 1932 book Wild Pilgrimage (printed in woodblock prints, with no text) includes three prints of the lynching of several Black men.

Lynd Ward

's 1932 play Black Souls was about an innocent black man lynched on the campus of a fictional college in the Deep South. It was performed on Broadway at the Provincetown Playhouse in a cast led by Juano Hernandez and Rose McClendon.[196]

Annie Nathan Meyer

In 's 1933 musical, As Thousands Cheer, Ethel Waters sang a ballad about lynching, "Supper Time". She wrote in her 1951 autobiography, His Eye Was on the Sparrow: "if one song could tell the story of an entire race, that was it."

Irving Berlin

(1935), by director Oscar Micheaux, was one of three films he made based on events in the controversial trial of Leo Frank, a northern Jewish man convicted of murder of a Georgia factory girl. He portrayed the character analogous to Frank as guilty and set the film in New York, removing sectional conflict as one of the cultural forces in the trial. Micheaux's first version was a silent film, The Gunsaulus Mystery (1921). Lem Hawkins Confession (1935) was also related to the Leo Frank trial.[197]

Murder in Harlem

's short story "The Vigilante" (1936) is retrospectively concerned with a lynching as seen by one of the chief participants in it. The story is based on historical events, namely the 1933 lynchings of John Maurice Holmes and Thomas Harold Thurmond in San Jose, California, on November 16, 1933.[198]

John Steinbeck

The film (1937) was inspired by the Frank case; it featured the Leo Frank character portrayed as a Christian.

They Won't Forget

In (1936), the German expatriate Fritz Lang depicts a lynch mob burning down a jail in which Joe Wilson (played by Spencer Tracy) was held as a suspect in a kidnapping, a crime for which Wilson was soon after cleared. Lang had left Germany after the Nazis came to power. The story was based on a 1933 lynching in San Jose, California. This had been recorded on newsreel footage and was an event in which Governor of California James Rolph refused to intervene.

Fury

In 's 1940 novel, The Ox-Bow Incident, two drifters are drawn into a Western posse formed to find the murderer of a local man. After suspicion centered on three innocent cattle rustlers, they were lynched, an injustice that deeply affected the drifters. The novel was adapted as a 1943 film by the same name. It symbolized a wartime defense of United States' values, seen to be based on law, versus the characterization of Nazi Germany as mob rule.

Walter Van Tilburg Clark

's novel, To Kill a Mockingbird (1960), featured a Black man, Tom Robinson, who is wrongfully accused of rape and narrowly escapes lynching. After having been wrongfully convicted by an all-white jury, Robinson is later killed while attempting to escape from prison. The novel was adapted as a 1962 film of the same name starring Gregory Peck.

Harper Lee

"" (1965) is a short story by James Baldwin that includes an account of a particularly horrific lynching.

Going to Meet the Man

The 1968 film , set on the Western frontier, stars Clint Eastwood.

Hang 'Em High

The 1988 film includes a depiction of a Black man being lynched.

Mississippi Burning

depicted several lynchings in his Killing Mr. Watson trilogy (first volume published in 1990), set in Florida of the late 19th century.[199]

Peter Matthiessen

In the 1996 film Stolen Memories: Secrets from the Rose Garden, protagonist Jessyca (Mary Tyler Moore) slowly recalls scenes from the night in which she suffered severe and permanent brain damage, which include the lynching of her African American friend Isaac at the hands of the Ku Klux Klan, as well as her cousin Cletis's involvement.

made-for-television

"" (first published in 1997) is a short story by Ralph Ellison that describes a lynching from the point of view of a white boy from Cincinnati.[200]

A Party Down at the Square

, a 1999 HBO film starring Christopher Walken and directed by Nicholas Meyer, is based on events that took place in New Orleans in 1891. After the acquittal of 18 Italian American men falsely accused of the murder of police chief David Hennessy, a lynch mob attacked them, killing 11 by shooting or hanging in one of the largest mass lynchings in United States history.

Vendetta

's musical Parade tells the story of Leo Frank, a Jewish man lynched near Atlanta, Georgia in the early 1900s after being convicted of murder of a young factory girl in a highly biased trial.

Jason Robert Brown

The 2014 biopic about the life of American singer James Brown features a scene in which a young Brown finds the body of a lynched man hanging from a tree near Brown's childhood home.

Get on Up

's film The Hateful Eight (2015), set in the Reconstruction era, features a finale with a detailed depiction of the lynching of a white woman identified as a working-class racist Southerner, with graphic focus on her suffering, prompting some debate among critics about whether it is a political commentary on racism and hate in America or simply sensational and sexist exploitation.[201][202][203]

Quentin Tarantino

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Smith, Tom (2007). The Crescent City Lynchings: The Murder of Chief Hennessy, the New Orleans "Mafia" Trials, and the Parish Prison Mob. Guilford: Lyons Press.  978-1-59228-901-1.

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"'Holding on to Those Who Can't be Held': Reenacting a Lynching at Moore's Ford, Georgia"

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