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Misty Copeland

Misty Danielle Copeland (born September 10, 1982)[1] is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States.[2] On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT's 75-year history.[3]

Misty Copeland

Misty Danielle Copeland

(1982-09-10) September 10, 1982

1995–present

Olu Evans
(m. 2016)

1

Taye Diggs (cousin-in-law)

Copeland was considered a prodigy who rose to stardom despite not starting ballet until the age of 13. Two years later, in 1998, her ballet teachers, who were serving as her custodial guardians, and her mother, fought a custody battle over her. Meanwhile, Copeland, who was already an award-winning dancer, was fielding professional offers.[4] The legal issues involved filings for emancipation by Copeland and restraining orders by her mother.[5] Both sides dropped legal proceedings, and Copeland moved home to begin studying under a new teacher, who was a former ABT member.[6]


In 1997, Copeland won the Los Angeles Music Center Spotlight Award as the best dancer in Southern California. After two summer workshops with ABT, she became a member of ABT's Studio Company in 2000 and its corps de ballet in 2001, and became an ABT soloist in 2007.[7] As a soloist from 2007 to mid-2015, she was described as having matured into a more contemporary and sophisticated dancer.[8]


In addition to her dance career, Copeland has become a public speaker, celebrity spokesperson and stage performer. She has written two autobiographical books and narrated a documentary about her career challenges, A Ballerina's Tale. In 2015, she was named one of the 100 most influential people in the world by Time magazine, appearing on its cover. She performed on Broadway in On the Town, toured as a featured dancer for Prince and appeared on the reality television shows A Day in the Life and So You Think You Can Dance. She has endorsed products and companies such as T-Mobile, Coach, Inc., Dr Pepper, Seiko, The Dannon Company and Under Armour.

Early life[edit]

Copeland was born in Kansas City, Missouri, but raised in the San Pedro community of Los Angeles, California,[7] the daughter of Sylvia DelaCerna and Doug Copeland. Her father is of German and African American descent,[9] while her mother is of Italian and African American ancestry and was adopted by African American parents.[10][11] She is the youngest of four children from her mother's second marriage and has two younger half-siblings, one each from her mother's third and fourth marriages.[11] Copeland did not see her father between the ages of two and twenty-two.[12] Her mother, a former Kansas City Chiefs cheerleader, had studied dance.[11] She is a trained medical assistant, but worked mostly in sales.[13]


Between the ages of three and seven, Copeland lived in Bellflower, California, with her mother and her mother's third husband, Harold Brown, a Santa Fe Railroad sales executive.[14] The family moved to San Pedro, where Sylvia eventually married her fourth husband, radiologist Robert DelaCerna and where Misty attended Point Fermin Elementary School.[15] When she was seven, Copeland saw the film Nadia on television and its subject Nadia Comăneci became her new role model.[16] Copeland never studied ballet or gymnastics formally until her teenage years, but in her youth she enjoyed choreographing flips and dance moves to Mariah Carey songs.[17] Following in the footsteps of her older sister Erica, Copeland became captain of the Dana Middle School drill team, where her natural grace came to the attention of its classically trained coach, Elizabeth Cantine.[18][5][11]


By 1994, Copeland's mother had separated from Robert.[19][20] After living with various friends and boyfriends, DelaCerna moved with her children into two small rooms at the Sunset Inn in Gardena, California.[21][22] In early 1996,[20] Cantine convinced Copeland to attend a ballet class at her local Boys & Girls Club. Cynthia Bradley, a friend of Cantine's, taught a free ballet class at the club once a week.[11][23] Copeland attended several classes as a spectator before participating.[21][24] DelaCerna allowed Copeland to go to the club after school until the workday ended.[11] Bradley invited Copeland to attend class at her small ballet school, San Pedro Dance Center. Copeland initially declined the offer, however, because her mother did not have a car, was working 12–14 hours a day, and her oldest sister Erica was working two jobs.[11][21] Copeland began her ballet studies at the age of 13 at the San Pedro Dance Center when Cynthia Bradley began picking her up from school.[7][21] After three months of study, Copeland was en pointe.[21]


Her mother told Copeland that she would have to give up ballet, but Bradley wanted Copeland to continue and offered to host her. DelaCerna agreed to this, and Copeland moved in with Bradley and her family.[25] Eventually, Copeland and DelaCerna signed a management contract and a life-story contract with Bradley. Copeland spent the weekdays with the Bradleys near the coast and the weekends at home with her mother,[5] a two-hour bus ride away.[26] Copeland would spend most of her next three years with the Bradleys.[27] By the age of fourteen, Copeland was the winner of a national ballet contest and won her first solo role.[26] The Bradleys introduced Copeland to books and videos about ballet. When she saw Paloma Herrera, a principal ballerina with ABT, perform at the Dorothy Chandler Pavilion, Copeland began to idolize her as much as she did Mariah Carey.[11][28] The media first noticed her when she drew 2,000 patrons per show as she performed as Clara in The Nutcracker at the San Pedro High School after only eight months of study.[11][29] She played a larger role as Kitri in Don Quixote at the San Pedro Dance Center and then performed with the L.A. Academy of Fine Arts in a featured role in The Chocolate Nutcracker, an African American version of the tale, narrated by Debbie Allen.[11][30] The latter was presented at UCLA's Royce Hall. Copeland's role was modified especially for her, and included ethnic dances.[31]


During this period, Copeland received far more personal attention from the Bradley family than her mother could give each of her six children. Raised in a lapsed Christian household, when Copeland lived with the Bradley family, she attended their synagogue and celebrated Shabbat with them, enjoying their family's closeness.[32] In addition to Bradley's intensive ballet training, her husband, a modern-dance teacher, served as Copeland's pas-de-deux instructor and partner.[27] The summer before her fifteenth birthday, Bradley began to homeschool Copeland for 10th grade to free up more time for dance.[11][33] At fifteen years old, Copeland won first place in the Los Angeles Music Center Spotlight Awards[28] at the Chandler Pavilion in March 1998.[34] Copeland said it was the first time she ever battled nervousness.[6] The winners received scholarships between $500 and $2500.[35] Copeland's victory in the 10th annual contest among gifted high school students in Southern California[34] secured her recognition by the Los Angeles Times as the best young dancer in the Greater Los Angeles Area.[36]


Copeland attended the summer workshop at the San Francisco Ballet School in 1998.[7][21] She and Bradley selected the workshop over offers from the Joffrey Ballet, ABT and Dance Theater of Harlem, among others.[11][37] Of the programs she auditioned for, only New York City Ballet declined to make her an offer.[37] San Francisco Ballet, ABT and New York City Ballet are regarded as the three preeminent classical ballet companies in the US.[2] During the six-week workshop at San Francisco, Copeland was placed in the most advanced classes[38] and was under a full-tuition plus expenses scholarship.[39] At the end of the workshop, she received one of the few offers to continue as a full-time student at the school. She declined the offer because of the encouragement from her mother to return home, the prospect of continuing personal training from the Bradley family and dreams of a subsequent summer with American Ballet Theatre.[40]

American Ballet Theatre[edit]

Early ABT career[edit]

Copeland auditioned for several dance programs in 1999, and each made her an offer to enroll in its summer program.[11] She performed with ABT as part of its 1999 and 2000 Summer Intensive programs.[46] By the end of the first summer, she was asked to join the ABT Studio Company. Her mother insisted that she finish high school, and so Copeland returned to California for her senior year, even though ABT arranged to pay for her performances, housing accommodations and academic arrangements.[11][28] She studied at the Summer Intensive Program on full scholarship for both summers and was declared ABT's National Coca-Cola Scholar in 2000.[7] In the 2000 Summer Intensive Program, she danced the role of Kitri in Don Quixote.[46] Copeland's strongest memory from the summer is working with choreographer Twyla Tharp on Push Comes to Shove".[47] Of the 150 dancers in the 2000 Summer Intensive Program, she was one of six selected to join the junior dance troupe.[46]

Other appearances, modeling, writings and ventures[edit]

Other stage, television and film appearances[edit]

In March 2009, Copeland filmed a music video with Prince for a cover of "Crimson and Clover", the first single from his 2009 album Lotusflower.[101][187] Prince asked her to dance along to the song in improvised ballet movements. She described his instructions as "Be you, feel the music, just move", and upon request for further instruction, "Keep doing what you're doing".[113] She also began taking acting lessons in 2009.[101] During the New York City and New Jersey portions of Prince's Welcome 2 America tour, Copeland performed a pas de deux en pointe to his song "The Beautiful Ones", the opening number at the Izod Center and Madison Square Garden.[188] Prince had previously invited her onstage at a concert in Nice, France.[189] In April 2011, she performed alongside Prince on the Lopez Tonight show, dancing to "The Beautiful Ones."[190]

Honors[edit]

In 2008, Copeland won the Leonore Annenberg Fellowship in the Arts, which funds study with master teachers and trainers outside of ABT.[256][28] The two-year fellowships are in recognition of "young artists of extraordinary talent with the goal of providing them with additional resources in order to fully realise their potential".[257] In 2013, she was named National Youth of the Year Ambassador by the Boys & Girls Clubs of America.[205] In 2014, Copeland was named to the President's Council on Fitness, Sports, and Nutrition[258] and received an honorary doctorate from the University of Hartford for her contributions to classical ballet and helping to diversify the art form.[259][260] Copeland was a Dance Magazine Awards 2014 honoree.[261] After her promotion as principal dancer, Copeland was named one of Glamour's Women of the Year for 2015;[262][263] one of ESPN's 2015 Impact 25 athletes and influencers who have made the greatest impact for women in sports;[264] by Barbara Walters, one of the 10 "most fascinating" people of 2015,[265] and one of the Time 100.[266] As a result, Copeland appeared on the cover of Time, making her the first dancer on the cover since Bill T. Jones in 1994.[267][268] In 2016, Copeland won a Shorty Award for Best in Dance in Social Media.[269][270]


In 2021, the NAACP awarded to Copeland its highest honor, the Spingarn Medal.[271] On May 17, 2023, Copeland received an honorary Doctor of Fine Arts degree from New York University.[272]

Personal life[edit]

Copeland enjoys cooking.[273] She and her husband, attorney Olu Evans, live on Manhattan's Upper West Side.[27][274] The couple disclosed their engagement in a 2015 cover story in Essence magazine.[275] They married in California on July 31, 2016.[276] They have one child, a son, born in 2022.[277]

Copeland, Misty; with Charisse Jones (2014). . New York: Touchstone Books, published by Simon & Schuster. ISBN 978-1-4767-3798-0. OCLC 852226309.

Life in Motion: An Unlikely Ballerina

Copeland, Misty (2014). Firebird: Ballerina Misty Copeland Shows a Young Girl How to Dance Like the Firebird. New York: . ISBN 978-0-399-16615-0. OCLC 881386397.

G.P. Putnam's Sons Books for Young Readers

Copeland, Misty (2015). . Photographs by Richard Corman. New York: Michael Friedman Group. ISBN 978-0692493236. OCLC 915488693.

Misty Copeland: Power and Grace

Copeland, Misty; with Charisse Jones (2017). Ballerina Body: Dancing and Eating Your Way to a Leaner, Stronger, and More Graceful You. New York: . ISBN 978-1455596300. OCLC 953598345.

Grand Central Life & Style

Glass, Calliope (2018). The Dance of the Realms. The Nutcracker and the Four Realms. Introduction by Misty Copeland; illustrated by Marco Bucci. Los Angeles: . ISBN 978-1368020367. OCLC 1044565014.

Disney Press

Copeland, Misty (2020). Bunheads. Illustrated by Setor Fiadzigbey. New York: G.P. Putnam's Sons Books for Young Readers.  978-0399547645. OCLC 1137745453.

ISBN

Copeland, Misty (2021). Black Ballerinas: My Journey to Our Legacy. New York: , an imprint of Simon & Schuster. ISBN 978-0692493236. OCLC 1237349801.

Aladdin

Copeland, Misty; with (2022). The Wind at My Back: Resilience, Grace, and Other Gifts from My Mentor, Raven Wilkinson. New York: Grand Central Publishing. ISBN 978-1538753859. OCLC 1303671778.

Susan Fales-Hill

List of dancers

Official website

at American Ballet Theatre

Misty Copeland

at IMDb

Misty Copeland

in On the Town on Broadway (2015)

Copeland dancing

. Ballet News. April 11, 2011. Retrieved July 8, 2017.

"Cupcakes & Conversation with Misty Copeland, Soloist, American Ballet Theatre"

at Los Angeles Times

Copeland archive

PBS (2016)

55-minute version of A Ballerina's Tale