Political hip hop
Political hip hop (also known as political rap) is a subgenre of hip hop music that was developed in the 1980s as a way of turning hip hop into a form of political activism. Political hip hop generally uses the medium of hip hop music to comment on sociopolitical issues and send political messages to inspire action, create social change, or to convince the listener of a particular worldview. It was inspired partially by politically-focused 1970s artists such as The Last Poets and Gil Scott-Heron, as well as the Black Power movement, Black Panther Party and revolutionary politics of the 1960s and 1970s.[1] Various hip hop artists emerged in the late 1980s espousing political messages and providing social and political commentary with KRS-One and his group Boogie Down Productions, and Public Enemy in particular establishing themselves as some of the first predominantly political hip hop groups with albums in 1988. Soon to follow in 1989 and following years were other political rappers, or known as "Conscious rap" including such groups as X-Clan, Poor Righteous Teachers, Paris (rapper), Disposable Heroes of Hiphoprisy and others.[2] The genre has helped to create a new form of social expression for subordinate groups to speak about their exclusions, injustices, and lack of power.[3][4]
Political hip hop
There is no all-encompassing political hip hop ideology, rather, there are multiple perspectives that range anywhere from anarchism to Marxism to the values of the Five-Percent Nation. Hip hop and politics have long been intertwined, with many hip hop artists using their music as a means to speak out about political and social issues and express their views on current events. Over the years, there have been a number of hip hop songs that have addressed political issues such as police brutality, racism, and poverty, among others. Some well-known examples of political hip hop songs include:
[5][6]
Many hip hop artists have also been involved in political activism outside of their music. For example, Chuck D of Public Enemy has been involved in a number of political campaigns and organizations, and has used his music and public platform to speak out about issues such as police brutality and racism. Similarly, rapper and activist Common has been involved in a number of social justice causes, and has used his music to address issues such as police violence and racial inequality.[5]
History of political and conscious hip hop[edit]
Origins and early development[edit]
Before the emergence of political hip hop, the Black Power Movement and the emphasis on black pride arising in the mid-1960s inspired several commentaries incorporating Black Power ideological elements. Songs expressing the theme of black pride include James Brown's "Say it Loud (I'm Black and Proud)" (1969) and Billy Paul's "Am I Black Enough for You?" (1972). The proto-rap of Gil Scott-Heron is an early influence on political and conscious rap, however, most of his earlier socially conscious and political albums fall within the jazz, soul, and funk genres. Following Ronald Reagan’s election as President in 1980, conditions in inner-city African-American communities worsened, and hip hop political commentators began to increasingly address worsening social problems such as mass unemployment, police brutality, incarceration, inadequate public schools, political apathy, and oppression.[9] One of the first socially conscious hip hop songs was "How We Gonna Make the Black Nation Rise?" by Brother D with Collective Effort.[10] One of the most successful early hip hop conscious rap songs was Grandmaster Flash and the Furious Five's "The Message", an influential political and conscious hip hop track, decrying the poverty, violence, and dead-end lives of the urban poor of the time. The 1985 film Rappin' saw a more political dimension to hip hop, including some verses of Ice-T's rap Killers, his first political record. Furthermore, the complex socio-political issues before hip hop and during all of its stages severely influenced its birth and direction.[11]
Hip hop in politics[edit]
Hip hop's impact on the political world is widespread. The response from mainstream politics has resulted in the spread of ideas, and opinions, and the formation of an informal dialogue surrounding largely controversial topics.
From the onset of hip hop in the 1980s throughout the 1990s, hip hop culture was either ignored or criticized by politicians. In the 1990s, the cultural idea that rap music was a symptom of the "destruction of American values" received bipartisan support.[21] In 1992, Vice President Dan Quayle called on Interscope Records to withdraw 2Pacalypse Now because it was a "disgrace to American music". The catalyst for Quayle's outrage was an incident when a Texas youth shot a state trooper and referenced the album as his motivation.[21] In 2Pacalypse Now, rapper Tupac Shakur raised issues of institutional racism, teen pregnancy, and police brutality.[22] In the song "Trapped", he tells a fictional story of how a police officer slams him on the ground without cause, but before he gets arrested the police officer is shot. His lyrics read "how can I feel guilty after all the things they did to me?"
Throughout the 2000s, hip hop music has become a larger part of mainstream culture and is seen as more acceptable in the political sphere. In 2015, The Washington Post wrote "The politician's guide to how to be down with hip hop" which draws reference to the use of hip hop culture in politics.[23] Criticism of hip hop that was considered moral and patriotic one generation ago, can make a politician seem "out of touch", especially with younger voters.[23] Politician Mike Huckabee was viewed as being "out of touch" when he referred to Beyoncé as "mental poison" in his book: God, Guns, Grits, and Gravy.[24] In 2008, during Barack Obama's Democratic primary campaign against then-rival Hillary Clinton, he referenced Jay-Z by doing his Dirt off Your Shoulder motion in a rally and the audience erupted with support.[25] The embrace of hip hop has occurred across party lines. Republican Senator Marco Rubio is a vocal fan of Tupac and gangsta rap. Rubio said "In some ways rappers are like reporters... You had gang wars, racial tension, and they were reporting on that."[21] 45th President of the United States Donald Trump leveraged hip hop to his advantage during his 2016 election campaign. He occasionally quoted that rapper Mac Miller wrote a song called "Donald Trump", and that it has over 100,000,000 views.[23]
In the 2018 midterm elections, lawyer and former rapper Antonio Delgado was elected to New York's 19th congressional district.[26]
Overseas political hip hop scenes[edit]
Spanish- and Portuguese-speaking political hip hop scene[edit]
Political rappers of Hispanic, Brazilian or Portuguese descent include Calle 13, Racionais MC's, Olmeca, Tohil, Immortal Technique, Rebel Diaz, Manny Phesto, MRK, Portavoz, Facção Central, Psycho Realm, Ana Tijoux, Bocafloja, Zack de la Rocha, Pablo Hasél (Spain), Los Chikos del Maiz (from Valencia, Spain), and Canserbero.
UK political hip hop scene[edit]
Within the United Kingdom hip hop and Grime music scene, political, conscious rap is common, with artists including Lowkey, who focus on the Israel-Palestine conflict and other issues regarding the Middle East, Logic, Akala, I & Ideal, Mic Righteous, Klashnekoff, Mic Reckless, Riz MC and English Frank.
Before the snap election on June 8, 2017, Leader of the Opposition Jeremy Corbyn met with JME while campaigning for the Labour Party to encourage young people to register to vote.[33] During the interview, JME explained that many young voters don't feel as though politicians have their best interests at heart. He said they often feel that voting makes no difference anyway. He went on to tell Corbyn that he is the first party leader he feels he can trust, because he is "so genuine it feels like I’m about to meet my mum’s friend".[34]